Conga Rhythm Cover Image

Conga Rhythm: SSA Choral Octavo

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Conga Rhythm Cover Image

Conga Rhythm: SSA Choral Octavo

Arr. Kirby Shaw

Item: 00-38273

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Description
Turn up the heat with this dynamic pairing of Gloria Estefan's biggest hits, "Conga" and "Rhythm Is Gonna Get You." A sizzling audience pleaser with tremendous choreography potential!

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081427447
SKU: 00-38273

More about this title

About the Arranger: Kirby Shaw

Kirby Shaw

Kirby Shaw has established himself as one of the most prolific and sought-after choral arrangers in music education, with over 2500 works in print that have sold nearly 20 million copies worldwide. His influence extends across six continents, where he has conducted workshops and festivals while maintaining deep roots in the classroom and university setting. Shaw holds degrees in Music Education and Choral Composition from San Jose State University and earned his DMA in Choral Conducting from the University of Washington.

As a founding director of innovative vocal jazz ensembles at College of the Siskiyous, Colorado State University, and the University of Missouri at Kansas City, Shaw brings both rigorous musicianship and genuine humor to everything he creates. His mentorship from jazz greats like Bobby McFerrin, Al Jarreau, and Jon Hendricks shaped his distinctive approach to arranging for singers. Shaw continues this legacy at Southern Oregon University while collaborating with his wife Markita on theatrical projects and serving as a member of Just 4 Kicks, an a cappella ensemble specializing in jazz.

Why we love this

Shaw's hand-crafted arrangement captures the infectious energy of these Gloria Estefan classics while keeping the SSA voicing singable and dramatically engaging. The built-in choreography potential means your singers move naturally with the rhythm rather than standing still, which energizes both performers and audience. This is the kind of straightforward, fun programming choice that reminds singers why they joined the choir in the first place.

What to expect

The arrangement radiates warmth and infectious joy; those iconic Estefan melodies come through clear and memorable while the layered harmonies and rhythmic interplay create genuine sophistication. From the first few measures, the music compels movement and smiling, channeling the irresistible energy of the original recordings into a format that feels fresh and contemporary.

Who it's for

SSA choirs looking for contemporary repertoire that energizes both singers and audiences without requiring advanced vocal technique. This arrangement works equally well for high school show choirs, community choral groups, and middle school ensembles seeking an age-appropriate crowd pleaser with real musical substance.

How to get the most out of it

  • Lock the syncopation early in rehearsals by clapping the clave rhythm in unison before singing; once it's embedded, the Latin groove sits naturally in everyone's body.
  • Layer the choreography gradually, starting with simple weight shifts and turns before adding hand patterns, so singers can focus on blend and intonation first.
  • Use the recorded accompaniment at full tempo for only the final rehearsals; run sections at 80 percent speed while you address tuning and part independence so singers aren't chasing the track.
  • Balance the rhythmic drive of the rhythm section parts (if using the available instrumental parts) by having those singers sit slightly forward; they're anchoring the groove for everyone else.

How to use it

Program this as a spring concert closer or festival performance finale, where its undeniable energy and visual appeal anchor the program on a high note. The SSA voicing and straightforward harmonic language make it an excellent choice for a music theater or cabaret-style concert that celebrates accessible, modern repertoire.

Skills your students will build

  • Reading and sustaining syncopated rhythms in Latin styles
  • Singing harmonic layers that support a rhythmic groove rather than a traditional chord progression
  • Coordinating ensemble singing with choreography and physical movement
  • Blending contemporary pop melody with choral texture and balance

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