Concerto in E minor Cover Image

Concerto in E minor: String Orchestra Conductor Score

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Concerto in E minor Cover Image

Concerto in E minor: String Orchestra Conductor Score

By Avison / arr. Merle J. Isaac

Grade: 2

Item: 00-12766S

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Additional Details
Series: Highland/Etling String Orchestra
Publisher: Alfred Music
Page Count: 8
UPC: 038081101187
SKU: 00-12766S

More about this title

Why we love this

Isaac's arrangement respects the Baroque sensibility of the original while making it genuinely playable for Grade 2 orchestras. The string writing sits naturally under young fingers, avoiding unnecessary technical display while preserving the concerto's architecture and emotional shape.

What to expect

Minor-key introspection with Baroque structure and clarity. There's a quiet nobility to this concerto, the kind of piece that reminds students why they play strings in the first place.

Who it's for

Directors building repertoire for Grade 2 string orchestras who want something with genuine musical substance rather than simplified filler. This works especially well if your ensemble has a mix of ages and experience levels, since the arrangement accommodates both.

How to get the most out of it

  • Shape phrases through bow direction rather than excessive dynamics. Let the natural architecture of the melodic line guide your conducting, especially in the slower sections where restraint serves the music better than expression.
  • Balance the inner voices carefully in tutti passages. With only eight pages, every line matters, and strings at this level often need reminding that accompaniment work is still musical work.
  • Keep the tempo steady through the harmonic rhythm. E minor's darker palette can tempt slower tempos, but a brisk pulse keeps the Baroque spirit alive without sacrificing clarity.

How to use it

Pair this with a brighter Grade 2 selection to showcase range, or use it as a program closer if you're building toward something more demanding. Eight pages means it fits comfortably into a full concert without monopolizing rehearsal time.

Skills your students will build

  • Reading in minor keys with natural, harmonic, and melodic variants
  • Sustaining tone and controlling bow pressure across longer phrases
  • Playing scalar passages with consistent intonation
  • Responding to clear phrase shapes in Baroque-style articulation
  • Balancing melody and accompaniment roles within small ensemble sections

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