Concerto Grosso, Op. 3, No. 9 Cover Image

Concerto Grosso, Op. 3, No. 9: String Orchestra Conductor Score & Parts

$40.00 USD
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Concerto Grosso, Op. 3, No. 9 Cover Image

Concerto Grosso, Op. 3, No. 9: String Orchestra Conductor Score & Parts

By Francesco Manfredini / arr. Ettore Bonelli

Item: 36-A734890

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
UPC: 660355055096
SKU: 36-A734890
Instrumentation: string orchestra

More about this title

About the Composer: Francesco Manfredini

Francesco Manfredini (1684-1762) was an Italian violinist and composer whose concertos grossi established him as a significant voice in the Venetian instrumental tradition. Active as a virtuoso performer and maestro di cappella in northern Italy, he composed works that bridged the Corellian concerto grosso model with the emerging galant style, making his music particularly approachable for ensemble training.

Why we love this

Manfredini's Op. 3, No. 9 strikes an ideal balance between musical substance and technical accessibility for developing string orchestras. The solo-ensemble dialogue keeps every section engaged while the harmonic language and phrasing remain transparent enough for young players to hear their individual contributions within the larger texture.

What to expect

Elegant and conversational, with the character of salon music rather than grand ceremonial writing. The interplay between concertino and tutti creates a chamber-like intimacy even when the full ensemble plays together, and the bright harmonic motion suggests sunlit Italian afternoons and confident instrumental dialogue.

Who it's for

String orchestras with intermediate to early-advanced players looking for Baroque repertoire that showcases ensemble blend and transparent writing. This work works equally well for school orchestras preparing concert material and community ensembles seeking accessible masterworks with period authenticity.

How to get the most out of it

  • Bring out the solo passage writing with confidence; these moments are marked opportunities for your concertino players to step forward without overwhelming the ripieno.
  • Shape phrase endings gently rather than with full weight; the galant style favors buoyancy over heavy articulation.
  • Lock tempo transitions between sections with clear conducting gestures, as the piece moves between solo and tutti material frequently.
  • Balance the viola line carefully in homophonic sections; it carries harmonic responsibility and should never disappear beneath the violins.

How to use it

Position this as an accessible entry point into Baroque orchestral literature, pairing it with later-period string works to show stylistic development. It works particularly well in the first half of a concert where audiences benefit from the clear, engaging structure of the concerto grosso form.

Skills your students will build

  • Solo-ensemble balance and independence
  • Baroque phrasing and articulation
  • Transparency in contrapuntal textures
  • Viola accompaniment voice leading
  • Ensemble precision across multiple instrumental sections

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