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Concerto from L'Estro armonico: Concert Band Conductor Score

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Concerto from L'Estro armonico: Concert Band Conductor Score

Op. 3 No. 9 RV 230

By Antonio Vivaldi (1678--1741) / arr. David Marlatt

Grade: 4

Item: 81-CB17311S

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Description
J. S. Bach adapted several works by Vivaldi. This particular transcription was originally for solo violin and string orchestra. The brilliant showy solo line (now for clarinet or piccolo trumpet) interspersed with tutti sections lent itself well to the colors of the organ and now to the full concert band.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
UPC: 0
SKU: 81-CB17311S

More about this title

About the Composer: Antonio Vivaldi

Antonio Vivaldi (1678-1741) stands as one of the Baroque era's most prolific and inventive composers. His mastery of instrumental color and rhythmic vitality shaped the concerto as a genre, and his works remain central to the orchestral and chamber music repertoire. Vivaldi's influence extended far beyond his lifetime; composers from Bach to modern arrangers have returned repeatedly to his brilliant musical ideas, recognizing in them an inexhaustible source of energy and craftsmanship.

Why we love this

Marlatt's orchestration captures the virtuosity Vivaldi intended while showcasing what modern concert band color can achieve with Baroque material. The dialog between a soloistquickly shifting between clarinet and piccolo trumpet sections creates dramatic contrast without overshadowing the ensemble writing. A work this sophisticated lands solidly at Grade 4, giving advanced high school programs real musical weight.

What to expect

Energetic and ornamental, with the restless brilliance characteristic of Vivaldi's fast movements. The conversation between the soloist and ensemble feels almost conversational, a back-and-forth of statement and response that keeps the music moving forward with clarity and purpose.

Who it's for

Conductors leading Grade 4 concert bands who want to program significant orchestral repertoire without waiting for the full band to mature. This arrangement works equally well for schools featuring a strong principal clarinet or fluent piccolo trumpet player looking for a genuine showcase.

How to get the most out of it

  • Balance the solo line carefully so it cuts through without the band overpowering the delicate Baroque texture. The brilliance of the original lies in contrast, not volume.
  • Coordinate closely with your solo section (clarinet or piccolo trumpet) in rehearsal; these parts contain the harmonic and melodic heart of the arrangement.
  • Shape the tutti sections with clean articulation and avoid blurring the rhythmic clarity that defines Baroque style.

How to use it

Program this as a centerpiece for a concert exploring Baroque instrumental music or as a bridge between classical and contemporary repertoire. It also serves well as a showpiece early in the concert season when you need something substantial but not yet winter-holiday repertoire.

Skills your students will build

  • Ensemble balance with a featured soloist
  • Baroque style and articulation (clean, light tonguing; shaped phrases without Romantic rubato)
  • Reading passages with running sixteenth-note figures
  • Dynamic control in tuttis (maintaining transparency without sacrificing strength)

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