Concerto (from <I>Concerto for Lute and Strings</I>) Cover Image

Concerto (from <I>Concerto for Lute and Strings</I>): Trumpet & Keyboard Part(s)

$6.00 USD

Concerto (from Concerto for Lute and Strings): Trumpet & Keyboard Part(s)

Concerto (from Concerto for Lute and Strings): Trumpet & Keyboard Part(s)

Name: Concerto (from Concerto for Lute and Strings ): Trumpet & Keyboard Part(s)
Brand: Alfred Music
SKU: 81-ST2659
Price: 6.00 USD
Availability: InStock

By Antonio Vivaldi / arr. David Marlatt

Level: Medium

Item: 81-ST2659

$6.00

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This concerto, originally for lute (or mandolin), is a typical work of Vivaldi's, demonstrating his gift for "tune". It is his melodic material that burns such pieces as the Four Seasons into the memory of musicians and non-musicians alike. This edition offers the maximum flexibility with 2 keyboard scores - in B-flat and D. This allows for performance on natural (or piccolo trumpet) in the key of D, or on B-flat trumpet in the key of B-flat.

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Series: Eighth Note Publications

Publisher: Eighth Note Publications

ISBN10: 1-55472-217-9

ISBN13: 978-1-55472-217-4

UPC: 685462008575

SKU: 81-ST2659

Instrumentation: Trumpet & Keyboard

More about this title

About the Composer: Antonio Vivaldi

Antonio Vivaldi (1678, 1741) shaped the Baroque concerto into a vehicle for virtuosity and emotional directness. A master of instrumental color and harmonic clarity, he composed over 500 works across every major genre of his time, establishing templates for concerto form that composers still follow today.

For music educators, Vivaldi matters because his writing is immediately musical. His melodies sing naturally on any instrument, his rhythmic profiles are clear and propulsive, and his formal structures teach students how musical ideas develop and return. The Four Seasons remains the gateway drug for listening to instrumental music; his pedagogical works (like the Concertos op. 3) remain teaching staples. His gift for instrumental writing means arrangements travel well across different ensemble sizes and instrument combinations.

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Why we love this

Vivaldi's gift for melody here translates into a solo that sits beautifully on trumpet without awkward register breaks or overwrought figuration. The dual keyboard options (B-flat and D) mean you can cast this across your trumpet section or showcase it on natural trumpet; the flexibility alone makes this worth programming.

What to expect

Bright and direct, with the kind of melodic clarity that makes Vivaldi so durable. The keyboard accompaniment provides harmonic grounding while the trumpet line floats above with natural phrasing, creating a partnership rather than a showcase.

Who it's for

Trumpet students ready for medium-difficulty solo material with immediate musical payoff. The arrangement suits both B-flat trumpeters seeking repertoire flexibility and programs where natural trumpet performance is an option.

How to get the most out of it

Shape the opening phrase as a single breath. Baroque melody lives in longer arcs, not beat-by-beat articulation; let the keyboard anchor the harmonic motion while you sing through the line.
Lock onto the keyboard player's tempo from the first measures. Vivaldi's accompaniment patterns establish forward momentum; any rhythmic hesitation from the solo part derails the character immediately.
Color the ornaments lightly. If trills or turns appear in the original, execute them crisply but without weight; they're decorative, not emphatic.
Balance dynamic shaping with the keyboard's volume. This is a dialogue, not a monologue; listen to where the accompaniment swells or recedes and respond proportionally.

How to use it

Place this on a solo and ensemble festival program where it strengthens both the musical level and the overall concert flow; its compact length and familiar composer make it an audience anchor. It also works beautifully as a prelude to a larger Baroque suite or as a contrast piece in a mixed-era recital.

Skills your students will build

Baroque phrasing and the use of longer melodic arcs over discrete measures
Transposition reading and flexible performance across B-flat and D tonalities
Balanced ensemble listening with a keyboard partner
Ornamentation execution appropriate to period style