Concerto for Violin No. 2 in B minor, Op. 7: 'La Clochette' (La Campanella) Cover Image

Concerto for Violin No. 2 in B minor, Op. 7: 'La Clochette' (La Campanella): Conductor Score & Parts

$165.00 USD
$165.00 USD
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Concerto for Violin No. 2 in B minor, Op. 7: 'La Clochette' (La Campanella) Cover Image
Concerto for Violin No. 2 in B minor, Op. 7: 'La Clochette' (La Campanella): Conductor Score & Parts

Concerto for Violin No. 2 in B minor, Op. 7: 'La Clochette' (La Campanella): Conductor Score & Parts

By Niccolo Paganini / arr. Gregory Vaught

Item: 36-A187502
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Description
The rondo third movement of Niccolò Paganini's VIOLIN CONCERTO NO. 2 owes its nickname "La Clochette" or "La Campanella" ("Little Bell") to the little bell which plays before each recurrence of the rondo theme.  This edition by Gregory Vaught includes transposed parts to increase accessibility.  And the serpentone (euphonium or tenor tuba), timpani, and bass drum are all optional.  Instrumentation in set: 2.2.2.2: 2.2.3.0: Serpentone(opt.Euph/TTuba): Timp(opt.).BsDr(opt.).Bells: Str (9-8-7-6-5 included): Solo Violin.  

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Additional Details
Series: Nieweg Performance Editions - Kalmus
Publisher: Keiser Productions, Inc.
UPC: 746241250094
SKU: 36-A187502
Instrumentation: 2, 2, 2, 1+1 - 2, 2, 3, 0, (serpentone, timp, perc), str, solo violin

More about this title

About the Composer: Niccolo Paganini

Niccolò Paganini (1782-1840) transformed the violin from a supporting orchestral voice into a vehicle for virtuosic display and technical innovation. His twenty-four caprices for solo violin and five concertos fundamentally expanded what performers could achieve on the instrument, introducing left-hand pizzicato, rapid string crossings, and extreme positions that seemed impossible to his contemporaries.

Beyond his reputation as a showman, Paganini was a serious composer who understood orchestration deeply. His concertos balance solo brilliance with lively orchestral writing, creating works that challenge both soloist and ensemble while remaining musically substantial. Teachers and conductors return to his concertos because they demand genuine musicianship alongside technical fireworks.

Why we love this

The rondo finale of this concerto sparkles with character and humor, anchored by the ingenious conceit of the little bell that marks each return of the main theme. Vaught's transposed parts and optional wind and percussion scoring make this showpiece genuinely accessible to advanced community orchestras and secondary school programs without compromising the music's theatrical charm and the soloist's opportunity to shine.

What to expect

Lighthearted and dazzling, this rondo bubbles with Romantic-era virtuosity and comedic flair. The bell's gentle insistence creates a playful anchor while the soloist weaves around it with rapid figuration and technical display, building an infectious energy that feels both intimate and celebratory.

Who it's for

This edition opens the Paganini concerto repertoire to orchestras with intermediate-to-advanced string sections and a capable solo violinist. The transposed parts and optional instrumentation make it practical for secondary school orchestras, advanced community groups, and chamber orchestras seeking a brilliant closer that audiences recognize and enjoy.

How to get the most out of it

  • Bring out the bell color in the glockenspiel part before each rondo section arrives; let it ring clearly so the soloist can lock in on its entry cue.
  • Balance the solo violin's rapid passagework by pulling back the tutti slightly during those runs so articulation and clarity come through rather than brightness.
  • Mark the tempo of the rondo theme consistently across rehearsals so the soloist builds confidence in the rhythm's forward momentum.
  • If using optional parts, rehearse with and without the serpentone to hear how the bottom register changes color; optional does not mean unmissable.

How to use it

Program this as a standout solo feature on an orchestral concert where you want to showcase your strongest violinist in a work that balances technical demands with immediate musical appeal. It pairs well with larger symphonic works because its relative brevity and high energy make a memorable finale or penultimate selection.

Skills your students will build

  • Accompanying a virtuosic solo line while maintaining ensemble cohesion
  • Reading transposed instrumental parts and adapting them in rehearsal
  • Balancing rhythmic precision with lyrical flexibility in the rondo theme
  • Managing optional instrumentation choices and their effect on overall orchestration

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