Concerto for Viola Cover Image

Concerto for Viola: Conductor Score & Parts

$155.00 USD
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Concerto for Viola Cover Image

Concerto for Viola: Conductor Score & Parts

By Hilding Rosenberg

Item: 36-A677102

$155.00
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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
UPC: 746241254405
SKU: 36-A677102
Instrumentation: 2, 2, 2, 2 - 3, 2, 0, 0, timp, hp, str, solo viola in set

More about this title

About the Composer: Hilding Rosenberg

Hilding Rosenberg (1918-1985) was a Swedish composer whose modernist approach brought structural rigor and harmonic innovation to 20th-century concert music. Working across symphonies, concertos, chamber works, and vocal music, Rosenberg became a central figure in Nordic composition, bridging expressionism and neoclassicism while maintaining a distinctly Scandinavian sensibility.

As an educator and prolific composer, Rosenberg shaped Swedish musical life for decades. His concertos showcase his gift for instrumental writing, crafting idiomatic passages that challenge soloists while remaining musically coherent and dramatically engaging.

Why we love this

Rosenberg's viola concerto sits at the intersection of virtuosic writing and chamber orchestral sophistication, giving the soloist room to shine without drowning in orchestral accompaniment. The piece demands serious musicianship from both principal and tutti players, making it ideal for ensembles ready to program something beyond the standard concerto repertoire.

What to expect

The concerto combines introspection with architectural clarity, moving between passages of intimate chamber dialogue and moments of broader orchestral engagement. Rosenberg's harmonic language unfolds deliberately, creating an intellectual and emotional landscape that rewards careful listening from both performers and audiences.

Who it's for

Conductors with access to a strong viola soloist and a chamber orchestra capable of handling mid-20th-century European modernism. This work suits college and advanced community orchestras looking to expand beyond canonical concerto repertoire and offers violists a significant solo vehicle.

How to get the most out of it

  • Balance the viola's lyrical lines against the woodwind doublings; the solo part should dominate without forcing excessive volume.
  • Attend to the harmonic language in tutti sections, where Rosenberg layers instrumental colors for textural effect rather than sheer weight.
  • Give the viola soloist agency in shaping rubato and phrasing, particularly in slower passages where the orchestration sits back.
  • Ensure harp and timpani entrances are crisp and precise, as they often mark structural turning points.

How to use it

Program this as a centerpiece for a concert exploring 20th-century Nordic music, pairing it with works by Norgaard or Larsson. Alternatively, feature it as a season highlight when a major viola soloist visits, positioning it alongside more familiar works to introduce audiences to Rosenberg's distinctive voice.

Skills your students will build

  • Balancing solo and accompaniment roles in a modernist harmonic language
  • Sustaining intonation in non-traditional tonal contexts
  • Coordinating ensemble attacks and releases without a strong harmonic anchor
  • Reading and executing 20th-century notational practices and articulations

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