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Concerto for Tuba and Orchestral Winds: Wind Ensemble, Solo Brass with Ensemble

$66.00 USD
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Concerto for Tuba and Orchestral Winds Cover Image

Concerto for Tuba and Orchestral Winds: Wind Ensemble, Solo Brass with Ensemble

By Bruce Broughton

Grade: 5

Item: 36-A671201OS

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Description
Bruce Broughton's Concerto for Tuba was originally written as a Tuba Sonata (M158791). Each movement presents the soloist with a different technical challenge, ranging from facility to the upper register of the instrument, and also showcases their lyrical abilities. This edition is a 2021 revision. The wind ensemble (A671202) and orchestra (A899602) concerti arrangements are available separately from the publisher. 11x14 score.

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Additional Details
Series: Kalmus Oversized Score Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-88-852103-8
ISBN13: 979-8-88-852103-8
UPC: 676737858612
SKU: 36-A671201OS
Instrumentation: Detailed Instrumentation: Solo Tuba: 2(+Picc).2(+EH).2(+BCl).2(+CBBsn): 4.2.2(+BTbn).0: Perc(2): Hp.Pno/Cel: Contrabass

More about this title

About the Composer: Bruce Broughton

Bruce Broughton

Bruce Broughton's career spans film, television, and concert music with equal distinction. His screen work includes iconic scores for Silverado, Tombstone, The Rescuers Down Under, and Miracle on 34th Street, along with television themes for The Orville, JAG, and Steven Spielberg's Tiny Toon Adventures. He has received ten Emmy Awards from twenty-three nominations, an Oscar nomination, and a Grammy nomination.

Beyond Hollywood, Broughton has established himself as a serious concert composer with works performed by the Cleveland Orchestra, Chicago Symphony, and Los Angeles Chamber Orchestra. He serves as a Board member of ASCAP and has held leadership positions in the Academy of Television Arts and Sciences, the Academy of Motion Picture Arts and Sciences, and The Society of Composers and Lyricists, which he helped found.

Why we love this

Broughton's tuba writing balances virtuosic demands with genuine lyricism, giving your soloist room to breathe between technical passages. The orchestration sits perfectly at Grade 5, supporting the solo line without overwhelming it, and the 2021 revision ensures the score reads cleanly and professionally.

What to expect

Each movement unfolds a different character: technical brilliance gives way to singing melody, then returns to display. The tuba emerges not as a novelty but as a genuine melodic voice, supported by warm orchestration that lets the soloist shine without strain.

Who it's for

Wind ensembles with an accomplished tuba soloist who can command both technical facility and musical phrasing. The Grade 5 ensemble writing challenges your full band while the solo part demands a player ready for college-level repertoire.

How to get the most out of it

  • Map out the upper register passages early in rehearsal. Broughton exploits the tuba's range strategically, so your soloist needs confidence in those high moments before you polish texture and balance.
  • Balance the solo tuba against full winds by checking your seating chart. The tuba needs to project without the ensemble receding into accompaniment mode.
  • Give the percussionists adequate rehearsal time. Two players cover multiple parts, and clear cueing from the conductor prevents timing slips in ensemble passages.
  • Lean into the lyrical sections. After technical demands, the contrasting material rewards singers and listeners alike; resist the urge to rush through them.

How to use it

Program this as a concert centerpiece when you have a tuba soloist who deserves the spotlight. It pairs well with traditional band repertoire and demonstrates that the tuba can carry a work with the same authority as any other solo instrument.

Skills your students will build

  • Sustaining pitch and tone in the upper register of the tuba
  • Balancing lyrical phrasing with technical facility across contrasting movements
  • Ensemble listening and blend as support for a featured soloist
  • Sight-reading complex orchestral textures at tempo
  • Managing dynamic control across a wide range of musical contexts

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