Concerto for Trumpet, Piano and String Orchestra Cover Image

Concerto for Trumpet, Piano and String Orchestra: Full Scores

$115.00 USD
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Concerto for Trumpet, Piano and String Orchestra Cover Image

Concerto for Trumpet, Piano and String Orchestra: Full Scores

By Harald Genzmer

Item: 98-EP8956

$115.00
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Description

Harald Genzmer's Concerto for Trumpet, Piano and String Orchestra (GeWV 182) was composed in 1999 and premiered in Ingolstadt in October 2001 with soloists Margarita Höhenrieder (piano) and Guy Touvron (trumpet).

Cast in 5 movements, the work contrasts an introspective lyricism with a vital, propulsive rhythmic energy.

This is a quality A3 full score of the Concerto, produced as part of the Peters Contemporary Library series.

  • Concerto for Trumpet, Piano and String Orchestra
  • Duration 23 minutes
  • Peters Contemporary Library series


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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 68
ISBN10: 0-01-413675-9
ISBN13: 979-0-01-413675-8
SKU: 98-EP8956

More about this title

About the Composer: Harald Genzmer

Harald Genzmer (1909-2007) was a German composer and pedagogue whose prolific output spanned orchestral, chamber, and vocal music across seven decades. He studied at the Berlin Conservatory and later taught composition, bringing a modernist sensibility tempered by lyrical impulses to his students and his own works. Genzmer's late-career compositions, including this 1999 concerto, synthesize his mature harmonic language with the accessibility and formal clarity that defined his teaching philosophy.

Why we love this

This five-movement concerto rewards orchestras that can balance transparent textures with driving rhythmic precision. Genzmer's writing for trumpet and piano in dialogue creates sophisticated interplay without sacrificing ensemble cohesion, making it an excellent choice for advanced student orchestras and semi-professional groups eager to explore contemporary European repertoire beyond the standard canon.

What to expect

The work alternates between hushed, introspective moments where lyrical lines float above restrained string textures and sections of vital, driving momentum that test the ensemble's rhythmic precision and ensemble control. Genzmer's five-movement design creates architectural coherence while allowing the trumpet and piano to explore contrasting musical personalities, at times tender and conversational, at others virtuosic and assertive.

Who it's for

Conductors leading advanced string orchestras with accomplished trumpet and piano soloists will find this concerto both musically rewarding and pedagogically valuable. It suits orchestras comfortable with contemporary harmonic language and rhythmic complexity, and works particularly well for ensembles seeking substantial concerti for showcasing multiple soloists.

How to get the most out of it

  • Establish clear communication between the two soloists before sectional rehearsals; their musical relationship shapes the ensemble's overall interpretive direction.
  • Test balance early and often across all five movements, as the introspective passages demand distinct textural clarity from the strings and require the soloists to project without overwhelming.
  • Mark rehearsal letters and structural sections in all parts; this 23-minute work benefits from stopping frequently to address phrasing and ensemble alignment across longer developmental passages.

How to use it

Program this concerto as a centerpiece work in a concert spotlighting contemporary German composition or as a bold alternative to Baroque and Classical double concertos. Its 23-minute duration and five-movement structure make it ideal for a full-length recital format or as the substantial work in a thematic program pairing modernist European writing with accessible contemporary idioms.

Skills your students will build

  • Balancing transparent string textures with prominent solo lines
  • Reading and executing contemporary harmonic language and rhythmic notation
  • Maintaining ensemble cohesion across extended formal structures with multiple solo spotlights
  • Coordinating rhythmic precision in passages alternating between propulsive energy and lyrical restraint

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