Concerto for Piano No.4 in G minor, Op.40 (Second revised version 1939-41) Cover Image

Concerto for Piano No.4 in G minor, Op.40 (Second revised version 1939-41): Conductor Score

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Concerto for Piano No.4 in G minor, Op.40 (Second revised version 1939-41) Cover Image
Concerto for Piano No.4 in G minor, Op.40 (Second revised version 1939-41): Conductor Score

Concerto for Piano No.4 in G minor, Op.40 (Second revised version 1939-41): Conductor Score

By Sergei Rachmaninoff

Item: 36-A701601
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Concerto for Piano No.4 in G minor, Op.40 (Second revised version 1939-41): Full Orchestra Conductor Score & Parts

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Description
Rachmaninoff's Piano Concerto No. 4 in G minor, Op. 40, was completed in 1926. The work exists in three versions. Following its unsuccessful premiere, the composer made cuts and other amendments before publishing it in 1928. With continued lack of success, he withdrew the work, eventually revising and republishing it in 1941 (Second revised version, most generally performed today). The original manuscript version was released in 2000 by the Rachmaninoff Estate to be published and recorded. The work is dedicated to Nikolai Medtner, who in turn dedicated his Second Piano Concerto to Rachmaninoff the following year.

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
ISBN10: 1-58-106965-0
ISBN13: 978-1-58-106965-5
UPC: 660355013560
SKU: 36-A701601
Instrumentation: 3, 3, 2, 2 - 4, 2, 3, 1, timp, perc, hp, str, solo piano]FULL SCORE ONLY

More about this title

About the Composer: Sergei Rachmaninoff

Sergei Rachmaninoff (1873-1943) was a Russian composer and pianist whose works define late Romantic virtuosity and emotional depth. His four piano concertos stand among the most performed works in the genre, each showcasing his gift for sweeping melodic lines, rich harmonic language, and idiomatic writing for the solo instrument.

Rachmaninoff's compositional life spanned two continents and three decades of revision. He was a meticulous craftsman who withdrew works, rewrote sections, and sometimes abandoned projects entirely if they did not meet his exacting standards. This dedication to perfection appears nowhere more clearly than in the Piano Concerto No. 4, which he substantially revised twice before arriving at the version most commonly heard today.

Why we love this

This score presents the definitive 1941 version that Rachmaninoff himself endorsed after years of revision, making it the most dramatically coherent form of the work. The orchestration is both transparent and sumptuous, allowing the conductor to balance a virtuosic solo part against clearly defined instrumental colors. Programming a major romantic piano concerto signals artistic ambition and gives your orchestra access to one of the most prestigious works in the chamber orchestra repertoire.

What to expect

The Concerto opens with an intimate, introspective character before blossoming into passages of sweeping romanticism and virtuosic piano writing. The orchestration creates an atmosphere of refinement and restraint compared to Rachmaninoff's more grandiose works, yet the emotional intensity never wavers. Moments of quiet beauty alternate with dramatic surges, all unified by the composer's signature long-breathed melodic gift.

Who it's for

Conductors leading advanced chamber orchestras or smaller symphonic ensembles who want to program a major romantic piano concerto with manageable orchestration. This work demands a soloist of considerable technical skill and musicianship, making it suitable for advanced university music programs, professional chamber orchestras, or festivals featuring accomplished collaborative pianists.

How to get the most out of it

  • Balance the solo piano line so its lyrical passages sing through the orchestra without sacrificing orchestral warmth; this is not a concerto built on soloist versus ensemble opposition.
  • Attend carefully to Rachmaninoff's tempo relationships between sections; the transitions are often subtle, and rushing them flattens the architecture of the three movements.
  • Cue the harp and percussion entries precisely, as these instruments often provide essential harmonic and textural anchors that can blur if ensemble clarity slips.
  • Shape the opening theme in the strings and horns with long, unbroken phrasing; the soloist's entrance is more integrated dialogue than dramatic interruption.

How to use it

This concerto works beautifully as the centerpiece of a romantic-era concert, preceded by shorter orchestral works from the 19th century and possibly followed by a 20th-century chamber work to contrast its sensibility. It also pairs well with other Rachmaninoff orchestral music, allowing audiences to experience the breadth of his compositional voice within a single program.

Skills your students will build

  • Reading and conducting romantic-era harmonic language with chromaticism and modal inflection
  • Balancing solo keyboard against orchestral texture in a concerto setting
  • Coordinating ensemble entries across multiple instrumental families while maintaining phrase continuity
  • Interpretation of Rachmaninoff's tempo markings and fermatas for rhetorical effect rather than literal timing
  • Managing the technical demands of parts requiring precision ensemble rhythms alongside sustained lyrical phrasing

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