Concerto for Piano No. 2 in C minor, Op. 18 Cover Image

Concerto for Piano No. 2 in C minor, Op. 18: Piano Sheet Duet (2 Pianos, 4 hands)

$14.95 USD
Sale price  $14.95 USD Regular price 
Skip to product information
Concerto for Piano No. 2 in C minor, Op. 18 Cover Image

Concerto for Piano No. 2 in C minor, Op. 18: Piano Sheet Duet (2 Pianos, 4 hands)

By Sergei Rachmaninoff

Item: 36-A241948

$14.95
Shipped

One moment…

Description
Written between the autumn of 1900 and April 1901, Sergei Rachmaninoff's Concerto for Piano No. 2 remains one of the composer's most enduringly popular pieces and cemented his reputation as composer of concerti.  It also served as confirmation of the end of Rachmaninoff's three-year bout with clinical depression and writer's block that stemmed, in part, from the poor reception by critics of his first symphony in 1897. This edition for two pianos, four hands was arranged by Sergei Rachmaninoff. The books are spiral-bound so that each of the two copies needed to rehearse or perform lay flat. The score and orchestral parts for this work are available from E.F. Kalmus as item A241902.

Concerto for Piano No. 2 in C minor, Op. 18: Piano Sheet Duet (2 Pianos, 4 hands) isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
ISBN10: 1-63-887450-6
ISBN13: 978-1-63-887450-8
UPC: 735816201951
SKU: 36-A241948
Instrumentation: Piano, Keyboard Duo, 2 Instruments

More about this title

About the Composer: Sergei Rachmaninoff

Sergei Rachmaninoff (1873-1943) was a Russian composer and pianist whose technical mastery and gift for sweeping melody shaped twentieth-century concert music. He overcame a devastating creative crisis in the late 1890s with the Concerto for Piano No. 2, a work that restored his confidence and established him as a major voice in composition. His career spanned three continents as he fled Russia during political upheaval, ultimately settling in the United States while maintaining deep ties to Russian musical tradition.

Rachmaninoff was equally significant as a performer and composer. His understanding of the piano's capabilities informed every note he wrote, and he remained actively involved in arranging his own works for different instrumental combinations. This two-piano adaptation of the Second Concerto reflects his intimate knowledge of how his music could be reshaped for diverse performing contexts without losing its emotional power.

Why we love this

This arrangement captures the concerto's architectural grandeur and lyrical depth while making one of the Romantic era's most rewarding large-scale works accessible to two pianists. Since Rachmaninoff himself created this version, you're performing the work exactly as he envisioned it for duet settings. The collaboration required—balancing dialogue, maintaining textural clarity, and supporting each other through sweeping passages—builds the kind of ensemble musicianship that transforms two separate players into one unified voice.

What to expect

Rachmaninoff's Second Concerto unfolds as a conversation between intimacy and grandeur. The opening movement offers sweeping romantic melodies supported by rich harmonies; the slow movement becomes almost introspective, with delicate filigree dancing over sustained sonorities. The finale crackles with virtuosic energy and Russian passion, building to moments of overwhelming fullness before resolving into peaceful resolution.

Who it's for

This edition serves advanced to professional-level pianists and duet partnerships seeking substantial repertoire that matches the concerto's emotional scope without requiring an orchestra. It works equally well for concert performance, masterclass demonstration, or collaborative recital programming. The spiral binding ensures both players have stable, readable copies during rehearsal and performance.

How to get the most out of it

  • Establish the accompanist's role in the opening movement before rehearsing the lyrical melody; the foundation player must lock the harmonic pulse so the soloist can breathe and shape the famous themes without rhythmic constraint.
  • Record yourselves regularly during rehearsal to hear balance objectively. The two-piano texture can obscure problems with dynamic proportions that are obvious on playback.
  • Work the cadenza passages measures at a time, trading responsibility for leadership so each pianist understands both the soloist's phrasing and the accompanying figure that supports it.
  • Coordinate pedal usage carefully in the middle section where impressionistic harmony creates texture through resonance; over-pedaling muddies the dialogue between the two instruments.

How to use it

Program this as a centerpiece on a solo piano recital where you want to demonstrate advanced duet collaboration, or pair it with a single-piano concerto arrangement to show the work's flexibility. The three-movement structure and length also make it valuable for concert seasons that need substantial concert-hall repertoire without orchestral accompaniment.

Skills your students will build

  • Collaborating as equal voices in an ensemble where roles shift between soloist and accompanist
  • Maintaining harmonic support while respecting another pianist's interpretive choices
  • Coordinating dynamic shape across two instruments to create coherent musical phrasing
  • Managing technical passages (cadenzas and runs) within a duet texture
  • Using the piano's full range across two instruments to recreate orchestral sonority

You May Also Like