Concerto for Piano No. 1 in F-sharp minor, Op. 1 (Final version, 1919) Cover Image

Concerto for Piano No. 1 in F-sharp minor, Op. 1 (Final version, 1919): Full Orchestra, Solo Keyboard with Ensemble, SS

$21.95 USD
$21.95 USD
Skip to product information
Concerto for Piano No. 1 in F-sharp minor, Op. 1 (Final version, 1919) Cover Image
Concerto for Piano No. 1 in F-sharp minor, Op. 1 (Final version, 1919): Full Orchestra, Solo Keyboard with Ensemble, SS

Concerto for Piano No. 1 in F-sharp minor, Op. 1 (Final version, 1919): Full Orchestra, Solo Keyboard with Ensemble, SS

By Sergei Rachmaninoff

Item: 36-S002201
$21.95
Shipped

One moment…

Related Items

Concerto for Piano No. 1 in F-sharp minor, Op. 1 (Final version, 1919): Full Orchestra, Solo Keyboard with Ensemble, Conductor Score

$55.00
View

Concerto for Piano No. 1 in F-sharp minor, Op. 1 (Final version, 1919): Full Orchestra, Solo Keyboard with Ensemble, Conductor Score & Parts

$120.00
View

Concerto for Piano No. 1 in F-sharp minor, Op. 1 (Final version, 1919): Full Orchestra, Solo Keyboard with Ensemble, Solo Piano Part

$25.00
View
Description
Sergei Rachmaninoff (1873-1943) first composed his CONCERTO FOR PIANO No. 1 in F-sharp minor, Op. 1 in 1891, when he was 17 (movements 1 and 2) and 18 (movement 3 and the orchestration). As a student work, Rachmaninoff was advised to base his effort on a specific model, and the young composer chose to adapt the musical structure of his on Grieg's PIANO CONCERTO. The first movement premiered on March 17, 1892, at the Moscow Conservatory, with Rachmaninoff as soloist under the baton of Vasily Safonov. Outside of some performances by Alexander Siloti, to whom the work was dedicated, the concerto was not revisited by the composer until 1917, after the public was already familiar with his Second and Third Concertos. The revisions made were considerable and highlight the course of Rachmaninoff's development in the intervening years, where he used his accumulated knowledge of harmony, orchestration, piano technique, and form to pull a concise, spirited work from his early effort. Rachmaninoff, however, was disappointed that it never became as popular with the public as his other concerti, saying, "I have rewritten my First Concerto; it is really good now. All the youthful freshness is there, and yet it plays itself so much more easily. And nobody pays any attention. When I tell them in America that I will play the First Concerto, they do not protest, but I can see by their faces that they would prefer the Second or Third." This revised version was finalized in 1919. Instrumentation: 2.2.2.2: 4.2.3.0, Timp.Perc(2): Str (9-8-7-6-5 in set): Solo Piano. Reprint edition. Study score.

Concerto for Piano No. 1 in F-sharp minor, Op. 1 (Final version, 1919): Full Orchestra, Solo Keyboard with Ensemble, SS isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Request This Title

Tell us you want it.

Start Your Free Trial

Explore everything that's ready to play right now.
Sample Pages

No sample pages found.
Sample Audio
No sample audio found.
Sample Video
No sample videos found.
Additional Details
Series: Kalmus Study Score Series
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-563736-4
ISBN13: 979-889-563-7364
UPC: 612735642990
SKU: 36-S002201
Instrumentation: 2.2.2.2: 4.2.3.0, Timp.Perc(2): Str (9-8-7-6-5 in set): Solo Piano

More about this title

About the Composer: Sergei Rachmaninoff

Sergei Rachmaninoff (1873–1943) stands as one of the last great Romantic composers, bridging nineteenth-century piano virtuosity with twentieth-century harmonic innovation. A legendary pianist in his own right, Rachmaninoff understood the instrument's capabilities at the deepest level, which shaped his approach to concerto writing throughout his career.

Rachmaninoff's education at the Moscow Conservatory placed him at the center of Russian musical tradition, and his early works reveal a composer already grappling with large forms and orchestral color. His later revisions of this First Concerto demonstrate his belief in continuous refinement: he returned to youthful ideas with mature craftsmanship, a practice that defined his creative philosophy.

Why we love this

This 1919 revision represents Rachmaninoff's own statement about artistic growth. Orchestras rarely program the First Concerto alongside the more familiar Second and Third, making it a compelling choice for conductors seeking to explore the full arc of his concerto writing without retreating to familiar territory.

What to expect

The work pulses with youthful energy tempered by mature reflection. F-sharp minor gives the opening a restless, introspective quality that gradually reveals moments of Romantic lyricism and broad, singing lines. The revised orchestration adds richness and architectural weight without sacrificing the spirited directness of Rachmaninoff's original conception.

Who it's for

This is essential repertoire for orchestras and piano soloists who want to engage seriously with Rachmaninoff's concerto legacy beyond the Second and Third. It suits advanced conservatory orchestras and professional ensembles with pianists capable of handling the considerable technical and musical demands.

How to get the most out of it

  • Study the 1891 original version alongside this revision to hear how Rachmaninoff deepened the harmonic language and expanded the piano's technical demands while preserving the work's essential character.
  • Balance the solo piano against a full orchestra that includes four horns and three trombones; the revised orchestration is more substantial than the youthful conception, requiring careful dynamic control from all sections.
  • Coordinate rehearsals between conductor and soloist early in the preparation process, as the solo part interweaves with orchestral passages throughout rather than following a strict tutti-solo alternation.

How to use it

Program this as a centrepiece for a Rachmaninoff-focused concert or as a bridge between Romantic concerto repertoire and early twentieth-century innovation. Its relative unfamiliarity makes it an intelligent choice for orchestras seeking to expand audience knowledge of the composer beyond his most performed works.

Skills your students will build

  • Performing mature Romantic harmony and pianistic virtuosity within a concerto framework
  • Reading orchestral textures featuring dense wind and brass writing (four horns, three trombones)
  • Coordinating solo piano passagework with accompanied and unaccompanied orchestral sections
  • Sustaining musical line across extended formal structures with multiple key areas

You May Also Like