Concerto for Horn and Wind Symphony Orchestra Cover Image

Concerto for Horn and Wind Symphony Orchestra: Wind Ensemble

$71.00 USD
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Concerto for Horn and Wind Symphony Orchestra Cover Image

Concerto for Horn and Wind Symphony Orchestra: Wind Ensemble

By David Amram

Item: 98-EP66201

$71.00
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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 44
ISBN10: 0-30-071885-3
ISBN13: 979-0-3007-1885-9
SKU: 98-EP66201

More about this title

About the Composer: David Amram

David Amram is a composer, conductor, and French hornist whose career has spanned decades of American concert music. He studied at the University of Washington and later in Berlin, bringing together influences from classical training and deep engagement with American folk traditions. Amram has written extensively for wind band, orchestra, and chamber ensembles, and his work as both performer and composer has made him a distinctive voice in American concert music.

Why we love this

This concerto gives your principal horn soloist a genuinely rewarding feature that sits well for the instrument while still keeping the ensemble engaged as full partners rather than accompanists. The scoring reflects Amram's understanding of both horn writing and the capabilities of a strong concert band, making it equally effective for festivals and concert seasons.

What to expect

The writing balances virtuosic horn writing with lyrical moments, allowing the soloist to shine while the band moves through textures that range from transparent to full-voiced. The orchestral approach to wind band scoring creates a concert work that feels substantial and orchestrally informed.

Who it's for

Concert bands with an accomplished principal horn and the instrumentation to support a full wind symphony arrangement. This is repertoire for directors seeking a substantial solo feature that challenges both soloist and ensemble without requiring specialized instrumentation.

How to get the most out of it

  • Balance the horn soloist's upper register passages against the full ensemble; the acoustics of your venue will determine how much support the band needs to provide without overwhelming.
  • Work the rhythmic precision of the ensemble parts in sections that support the solo line; clean articulation in the winds makes the soloist's phrasing read more clearly.
  • Mark breathing points for the horn soloist during ensemble rehearsals so the band understands where the solo line needs space and where it needs support.

How to use it

Program this as a featured concerto on a band concert, ideally pairing it with contrasting concert band works that don't also highlight solo brass. The 44-page score suggests a work of real substance that earns its own program moment.

Skills your students will build

  • Horn soloist: sustained upper register playing and fast passage work
  • Ensemble: balanced accompaniment to a featured soloist while maintaining independent musical lines
  • Full band: reading and executing parts that serve multiple harmonic and textural functions in a symphonic arrangement

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