Concerto for Clarinets, Fourth Movement: Tarentella Cover Image

Concerto for Clarinets, Fourth Movement: Tarentella: E-flat Clarinet (Opt. B-flat Clarinet) & Clarinet Choir Conductor Score & Parts

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Concerto for Clarinets, Fourth Movement: Tarentella Cover Image

Concerto for Clarinets, Fourth Movement: Tarentella: E-flat Clarinet (Opt. B-flat Clarinet) & Clarinet Choir Conductor Score & Parts

E-flat Clarinet Solo (Opt. B-flat Clarinet Solo) and Clarinet Choir

By Alexis Ciesla

Item: 01-ADV8611

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Description
The last movement of the dance suite Concerto for Clarinets, "Tarentella" features various soloists with clarinet choir. The E-flat clarinet solo showcases that instrument's playful abilities. Arranged for E-flat clarinet (opt. B-flat clarinet) solo and clarinet choir.

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Additional Details
Series: Advance Music
Publisher: Advance Music
ISBN10: 3-892218-41-2
ISBN13: 978-3-892218-41-8
UPC: 805095086119
SKU: 01-ADV8611
Instrumentation: E-flat Clarinet (Opt. B-flat Clarinet) & Clarinet Choir

More about this title

About the Composer: Alexis Ciesla

Alexis Ciesla is a composer and arranger whose work centers on wind band and chamber music for educational settings. His writing demonstrates a clear understanding of instrumental capabilities across a range of levels, with particular attention to how soloists can shine within ensemble contexts.

Why we love this

The E-flat clarinet gets genuine solo material here that plays to its natural character, not just its novelty. Pairing it with a full clarinet choir creates a satisfying textural contrast that keeps the energy fresh throughout a movement that could easily feel one-dimensional.

What to expect

Bright and playful, with the kind of rhythmic propulsion that makes a tarantella immediately engaging. The E-flat clarinet's higher register cuts through the choir's foundation, creating a sparkling quality that feels almost mischievous.

Who it's for

Conductors working with established clarinet ensembles or high school bands with strong clarinet sections and a capable E-flat player. The arrangement also works well for college wind ensembles and community bands seeking accessible but rewarding repertoire.

How to get the most out of it

  • Lighten the articulation in the ensemble writing to let the tarantella's dance energy breathe. These figures should feel nimble, not plodding.
  • Balance the E-flat clarinet soloist so the audience hears the melody without pulling away from the harmonic foundation the choir provides.
  • Explore the tempo flexibility within the tarantella idiom. Traditional tarantellas often accelerate subtly; check whether Ciesla's score invites that kind of phrasing.
  • Mark entrances clearly in the choir parts. The soloist's figuration can mask the ensemble's rhythmic precision if everyone isn't locked together.

How to use it

Slot this as a standalone fourth movement at a spring or end-of-year concert to showcase clarinet section depth. It works equally well as a concert closer that sends the audience out with energy, or as part of a larger dance-themed program.

Skills your students will build

  • Playing with a featured soloist while maintaining ensemble cohesion
  • Balancing between rhythmic precision and the flexibility of dance idioms
  • Reading E-flat clarinet transposition (or substituting on B-flat with written score)
  • Managing rapid sixteenth-note figurations at tempo
  • Sectional intonation within a three-part or fuller clarinet choir texture

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