Concerto for 2 Trumpets and Trumpet Ensemble: 6 Trumpets Score & Parts

Marlatt's distribution of the original string parts across the trumpet section creates genuine musical substance rather than mere doubling, so all six players remain engaged throughout. The transposition flexibility (B-flat, C, and D) lets you program this across multiple sections and ability levels within a single rehearsal, making it an unusually practical choice for mixed-ability ensembles.

Bright, architectural, and energetic. The writing sparkles with Vivaldi's characteristic rhythmic vitality while maintaining the dignity of the Baroque concerto grosso. The six trumpets together create a sonority that feels both unified and intricate, with the two solo voices emerging and receding within the larger harmonic structure.

Trumpet choirs and advanced youth ensembles seeking Baroque repertoire that showcases ensemble cohesion and individual technical skill simultaneously. Directors programming festival events or formal concerts will appreciate how this work projects immediate musical sophistication while remaining accessible to intermediate-to-advanced trumpeters.

• Establish the ritornello passages with all six voices locked rhythmically. The Baroque expect precision in these tutti moments, and even slight staggering blurs the structural integrity Vivaldi built into this form.
• Balance the original solo parts prominently against the ensemble fabric. The two principal voices need to sing through all six parts without disappearing into a homogeneous brass blend.
• Explore the three transposition options during sectional rehearsals to find where your ensemble sits most comfortably. The change in key can shift not just intonation but also the overall character and resonance of the work.
• Shape the opening ritornello with subtle dynamic breathing between phrases. Vivaldi's metric clarity should never sound mechanical; allow the natural pulse to breathe through articulation and phrase structure.

Feature this as a mainstage concert opener or closer, where the all-trumpet instrumentation reads as a distinctive programming choice rather than a compromise. It pairs well alongside classical symphonic movements or 20th-century works, providing a bridge that audiences recognize immediately while advancing your ensemble's technical profile.

• Baroque phrasing and ritornello structure
• Balancing solo and tutti roles within an ensemble texture
• Intonation across six instruments with shared harmonic responsibility
• Transposition fluency (B-flat, C, and D concert keys)
• Rhythmic precision and metric alignment in complex textures
• Vibrato control and articulation clarity appropriate to the era