Concerto for 2 Trumpets: 2 Trumpets & Keyboard Part(s)

Marlatt's arrangement captures what makes this Vivaldi concerto essential repertoire: transparent orchestration that lets both trumpet voices shine without melodic compromise, an architecture that rewards ensemble listening, and music substantial enough to anchor a recital or ceremonial program. The three keyboard transpositions eliminate logistical barriers for mixed trumpet sections, and the piece fits equally well at weddings, festivals, or concert stages where it consistently earns audience response.

Bright, ceremonial, and dance-like, with the characteristic Vivaldi energy that shifts between dialogue and unison. The keyboard provides harmonic grounding while the two trumpets trade ideas across clear Baroque phrasing; the overall effect feels both intimate and festive.

Intermediate to advanced trumpet players ready to tackle ensemble solos at a serious level. This work suits competitive festivals, ceremonial occasions, or concert programs where two players can command attention without a full ensemble behind them.

• Balance the two trumpet lines as equal partners rather than melody and accompaniment. Vivaldi designed both parts with thematic material, so bring out the interplay between them while maintaining a unified ensemble sound.
• Listen closely to the keyboard accompaniment during rehearsals. The harpsichord-style figures (whether played on organ or piano) anchor intonation and provide structural clarity that prevents the trumpet lines from drifting.
• Shape phrase endings with a slight taper of dynamics and tempo rather than an abrupt cutoff. Baroque phrasing breathes, and the two trumpets need space to resolve their lines together.
• Select your transposition strategically. The B-flat version works for standard Bb trumpets; the C version offers different harmonic color; the D version (for piccolo trumpet) creates a brighter upper register if your ensemble has that capability.

Program this as a featured duet during a brass recital or concert finale, or deploy it in ceremonial contexts where its ceremonial character and accessibility serve equally well. At festivals, it stands as a reliable standard that adjudicators recognize immediately and audiences enjoy without reservation.

• Baroque phrasing and articulation conventions specific to brass writing
• Ensemble balance and intonation between two equal solo voices
• Reading and performing transposed parts in multiple keys
• Coordination with keyboard accompaniment (organ or piano)
• Clarity and stylistic confidence in handling a recognized masterwork