Concerto D Minor Opus 9, No. 2 Cover Image

Concerto D Minor Opus 9, No. 2: Alto or Baritone Saxophone & Piano Score & Part

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Concerto D Minor Opus 9, No. 2 Cover Image

Concerto D Minor Opus 9, No. 2: Alto or Baritone Saxophone & Piano Score & Part

For Alto or Baritone Saxophone and Piano

By Tomaso Albinoni / transcr. and ed. Trent Kynaston

Item: 01-ADV7042

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Description
"Concerto D Minor Op. 9, No. 2" has been transcribed and edited for alto or baritone saxophone and piano by Trent Kynaston.

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Additional Details
Series: Advance Music: Classics for Saxophone
Publisher: Advance Music
UPC: 805095070422
SKU: 01-ADV7042
Instrumentation: Alto or Baritone Saxophone & Piano

More about this title

About the Composer: Tomaso Albinoni

Tomaso Albinoni (1671-1751) was a Venetian composer whose instrumental works became central to the Baroque repertoire. Though he composed operas prolifically during his lifetime, his concertos and sonatas secured his legacy long after. His writing for winds and strings established models that influenced generations of composers across Europe.

Albinoni's oboe concertos in particular remain teaching staples and performance favorites. His melodic gift and clear harmonic language make his work accessible to students while maintaining genuine musical substance. Directors and soloists value his pieces for their balance of technical challenge and lyrical beauty.

Why we love this

This arrangement brings a Baroque masterwork into the modern saxophone repertoire with complete musical authority. Kynaston's transcription honors the original while exploiting the expressive range and technical capabilities of the saxophone, creating a piece that feels idiomatically written for the instrument rather than merely translated.

What to expect

D minor's natural gravity underlies elegant, singing lines that unfold with Baroque grace. The interplay between saxophone and piano creates intimate dialogue, with moments of lyrical beauty balanced by energetic passagework that tests both technical facility and musical maturity.

Who it's for

Intermediate to advanced alto or baritone saxophonists preparing repertoire for festivals, competitions, or recitals. This work suits players ready to explore Baroque literature and develop expressive control in a non-contemporary context.

How to get the most out of it

  • Approach the opening phrases with vocal purity; Baroque melodic lines demand singing tone over flashy articulation.
  • Balance the accompaniment against your line so the piano's harmonic foundation supports rather than obscures the melody.
  • Shape the faster passages with clarity and rhythmic precision; Baroque style rewards articulation that defines individual notes without heaviness.

How to use it

Feature this as a solo competition entry or on a recital showcasing diverse historical periods. It pairs effectively with contemporary works to demonstrate the breadth of the saxophone's musical identity and fits particularly well in concert programming that emphasizes melodic and harmonic sophistication.

Skills your students will build

  • Baroque style conventions including phrasing, articulation patterns, and harmonic awareness
  • Sustained lyricism and vocal tone production across the full range
  • Balance and dialogue with piano accompaniment
  • Reading and interpreting ornamentation and expressive markings in Baroque contexts

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