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Concertino for Strings: String Orchestra Conductor Score & Parts

$60.00 USD
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Concertino for Strings: String Orchestra Conductor Score & Parts

By Paul W. Whear

Grade: 3

Item: 36-10250104

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Description
Starting with the lively, contrapuntal Overture in ritornello form, Concertino for Strings demands only moderate technical facility. Movement II (Dirge) features cellos and basses in a pizzicato walking bass line that moves to other voices too. Ending with a lively Toccata, the third movement is highly animated while being technically accessible to most players. A well balanced work of moderate demand, this work is a real crowd pleaser!

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Additional Details
Series: LudwigMasters Concert Strings
Publisher: Keiser Productions, Inc.
ISBN10: 1-62-876498-8
ISBN13: 978-1-62-876498-7
UPC: 660355012006
SKU: 36-10250104
Instrumentation: String Orchestra

More about this title

Why we love this

Whear balances genuine musical substance with real-world rehearsal constraints. The three-movement arc moves quickly enough to hold an audience while giving every section of your orchestra something rewarding to play, and the contest/festival designation means it's built for judges who know what they're hearing.

What to expect

The Overture crackles with baroque counterpoint and forward momentum. The Dirge pulls back into a darker, more introspective space where lower strings anchor the sound with their methodical pizzicato foundation. The Toccata snaps back to life with virtuosic animation, rewarding the orchestra's technical growth while never losing sight of accessibility.

Who it's for

Conductors leading developing string orchestras who need substantial repertoire without excessive technical hurdles. This works for groups aiming at festivals and contests, as well as conductors building concert programs that include serious musical content for intermediate players.

How to get the most out of it

  • The opening ritornello benefits from clean articulation across all parts; unify bowstrokes in the Overture to let the contrapuntal lines sing without muddying the texture.
  • In the Dirge, shape the pizzicato walking bass line with subtle dynamic contour even though it stays in the lower voices; this prevents the movement from feeling static.
  • The Toccata's energy comes from rhythmic precision more than speed; lock in the pulse with your section leaders before pushing for character.
  • Balance the string parts carefully during forte sections; the Grade 3 orchestration can blur if anyone overshoots.

How to use it

Program this as a concert centerpiece when you want to demonstrate your orchestra's range in a single work. Its three-movement design makes it ideal filler or a signature piece on a mixed-repertoire concert; the Toccata finale leaves audiences energized without overshadowing other works.

Skills your students will build

  • Playing in ritornello form and recognizing thematic returns
  • Maintaining rhythmic precision in pizzicato walking bass patterns across multiple string voices
  • Balancing and shaping contrapuntal lines without obscuring individual melodic strands
  • Sustaining lyrical playing in slower movements while maintaining harmonic depth
  • Rapid articulation and rhythmic security in animated outer movements

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