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Concertino for Solo Violin and String Orchestra: String Orchestra, Solo Strings with Ensemble, Conductor Score

$15.00 USD
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Concertino for Solo Violin and String Orchestra Cover Image

Concertino for Solo Violin and String Orchestra: String Orchestra, Solo Strings with Ensemble, Conductor Score

By Paul S. Dennison

Grade: 4

Item: 36-A413701

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Description
Concertino for Solo Violin and String Orchestra was composed in 1984 by Paul S. Dennison as part of the tradition of accessible concert works written for advancing soloists and string ensembles. This short work is cast a standard three movement fast-slow-fast form: I. Allegro; II. Andante; III. Scherzo. Concertino for Solo Violin and String Orchestra is a strong vehicle to feature a developing violinist in both educational and concert performances. A string count of 8-8-5-5-5 is included in the set.

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
ISBN13: 979-889-810-7628
UPC: 605258987259
SKU: 36-A413701
Instrumentation: Str (8.8.5.5.5 in set): Solo Violin in set

More about this title

Why we love this

Dennison's three-movement structure gives you a complete concerto experience without the technical demands of a full-scale work. The writing sits squarely in the sweet spot where a solid intermediate violinist can shine without drowning in ensemble texture, making it equally suited to a school concert or a festival showcase.

What to expect

The Concertino moves with conversational ease. The Allegro opens with spirited dialogue between soloist and ensemble; the Andante invites introspection and lyrical singing from both parts; the Scherzo dances with lightness and rhythmic clarity. Dennison's orchestration never clutters the sound, leaving space for the solo voice to emerge naturally.

Who it's for

String orchestra directors seeking an accessible yet fully realized concerto for advancing high school or advanced middle school violinists. This work serves soloists who have the technical foundation for public performance but benefit from an arrangement that prioritizes musicality over virtuosity.

How to get the most out of it

  • Balance the solo violin line carefully in the Allegro; the ensemble should support rather than overshadow the developing soloist's articulation and phrasing.
  • In the Andante, allow the soloist to shape the melodic contour with slight tempo flexibility while the conductor maintains steady harmonic support from the strings.
  • The Scherzo finale moves briskly; rehearse the ensemble rhythmic precision separately before combining with the solo line to lock in the lighter character.

How to use it

Feature this as your spring concert soloist vehicle, or use it to round out a festival competition set where you want a brief, impactful work that demonstrates both ensemble cohesion and individual talent. The modest duration and three-movement form make it ideal for programs that pair well-known works with newer educational writing.

Skills your students will build

  • Solo-ensemble balance and interdependence
  • Conducting coordination of soloists with accompaniment
  • Sustained melodic phrasing in contrasting tempos (fast-slow-fast)
  • String section rhythmic precision in scherzo figurations
  • Listening and response to a featured soloist while maintaining ensemble blend

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