Concertino for Bassoon and Wind Ensemble: Concert Band Conductor Score & Parts
By James Barnes
Grade: 4
Item: 35-PK01513870
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About the Composer: James Barnes
James Barnes stands among the most performed American wind band composers of his generation. His catalogue of works for concert band, spanning five decades, demonstrates a consistent gift for writing music that engages both performers and audiences while respecting the pedagogical needs of student musicians.
Why we love this
Barnes captures the bassoon's full personality here, moving effortlessly between moments of genuine warmth and technical sparkle. The modified rondo form gives your ensemble clear signposts while the F major tonality sits perfectly for the solo instrument, and the inclusion of a contrasting Bb section creates genuine architecture without becoming academic.
What to expect
Warm, witty, and genuinely charming. The piece radiates the lighter side of the bassoon's personality while never winking at the audience or sacrificing musical substance. You hear genuine affection for the instrument throughout.
Who it's for
This work suits concert bands at the Grade 4 level with a confident bassoon soloist. Directors looking to feature a principal reed without venturing into extended technique or extreme ranges will find this especially useful.
How to get the most out of it
- Balance the solo line carefully in measures where the wind ensemble carries harmonic weight; the bassoon needs presence but shouldn't battle the full ensemble sound.
- Shape the slow B theme in Bb with genuine lyricism, treating it as a moment of repose that contrasts with the jollier outer sections.
- Let the accompaniment establish a relaxed, conversational energy in the rondo sections rather than pushing the tempo; this supports the 'jolly' character without rushing.
How to use it
Program this as a feature during a concert emphasizing solo artistry, pairing it alongside other single-instrument showcases. Its cheerful temperament makes it ideal for spring concerts or pops programs where you want to celebrate your ensemble's musicality without requiring heavy, dramatic works.
Skills your students will build
- Balancing solo and ensemble texture
- Playing in both F major and Bb major tonalities
- Executing rondo form with clear structural awareness
- Accompanying a solo line with attention to dynamic support
- Bassoon technical facility in moderate to quick passages