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Concertino: Score Book

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Concertino Cover Image

Concertino: Score Book

By Harald Genzmer

Level: Intermediate

Item: 98-EP8235

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Description
Concertino for clarinet and orchestra by Harald Genzmer. Score only.

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Additional Details
Series: Edition Peters
Publisher: EDITION PETERS
Page Count: 44
ISBN10: 0-01-406323-9
ISBN13: 979-0-01-406323-8
SKU: 98-EP8235

More about this title

About the Composer: Harald Genzmer

Harald Genzmer (1909–2007) was a German composer and pedagogue whose prolific output spanned orchestral, chamber, and wind band repertoire. His writing for winds reflects both the German compositional tradition and a gift for creating accessible yet musically substantial works for student and professional ensembles alike.

Why we love this

Genzmer crafted a concertino that sits squarely in the sweet spot between technical challenge and musical satisfaction. The scoring for clarinet and orchestra gives solo clarinetists real presence without overwhelming them, and the 44-page full score offers conductors a work with genuine orchestral color and clarity.

What to expect

Elegant and conversational, with the orchestra as an attentive partner to the clarinet's journey. The writing breathes easily without sacrificing musical substance, creating moments of both lyricism and spirited dialogue.

Who it's for

Conductors preparing intermediate-level clarinetists for solo opportunities within a full orchestral or large ensemble context. This score is essential for anyone leading rehearsals where the clarinet carries the weight of the melodic line.

How to get the most out of it

  • Balance the clarinet line carefully in tuttis; the orchestration is transparent enough that a soloist can be heard, but resist the temptation to push the dynamic beyond what the part calls for.
  • Scout the score for moments where the orchestra drops away entirely. These are chances to establish the clarinet's voice and character before the ensemble returns.
  • Work the rhythmic gestures between soloist and orchestra sections separately before combining them; Genzmer's dialogue is precise and rewards clean ensemble attacks.

How to use it

Feature this as a standalone concert work or as part of a program showcasing wind soloists within orchestral settings. The piece works equally well in a concert dedicated to 20th-century wind music or as a bridge between classical concerto literature and contemporary repertoire.

Skills your students will build

  • Solo clarinet writing: phrasing and narrative architecture across longer forms
  • Ensemble balance and intonation when featured against full orchestral accompaniment
  • Stylistic flexibility within 20th-century European composition
  • Conductor score reading and orchestral texture management

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