Concert Time Developing Band Book 1 - Alto Saxophone Cover Image

Concert Time Developing Band Book 1 - Alto Saxophone: Alto Saxophone Method Book

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Concert Time Developing Band Book 1 - Alto Saxophone Cover Image

Concert Time Developing Band Book 1 - Alto Saxophone: Alto Saxophone Method Book

By Andrew Balent, Lloyd Conley, Robert Longfield

Grade: 1-1.5

Item: 98-BB202ASX

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Description
Following the success of Concert Time Beginning Band Book 1, FJH now offers a second book of band pieces, all in print for the first time. Intended to challenge and reward young musicians, this collection has 15 progressive pieces which all differ in style, compositional technique, and theme.

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Additional Details
Series: Concert Time Band Book (Alto Sax)
Publisher: The FJH Music Company, Inc.
UPC: 674398209637
SKU: 98-BB202ASX

More about this title

Why we love this

Concert Time Developing Band Book 1 steps beyond the introductory repertoire most young bands rely on, offering 15 pieces that genuinely differ in musical character rather than recycling the same harmonic and rhythmic patterns. Each piece introduces fresh compositional approaches and stylistic variety, so students encounter real compositional thinking rather than exercises dressed up as songs.

What to expect

Discovering that band music can be genuinely musical, not merely technical. Each piece unfolds with purpose and character, from lyrical moments to rhythmic energy, reflecting the range of styles students will eventually play in the concert band literature.

Who it's for

Alto saxophone players in grades 1-1.5 concert bands who have moved past beginning method books and are ready for repertoire that teaches through musical variety rather than narrow technical focus. Directors building reading confidence and ensemble cohesion will find pieces that challenge without overwhelming.

How to get the most out of it

  • Balance the ensemble carefully across the 15 pieces. Some will lean toward melody-driven writing while others distribute texture more evenly; adjust your section balance in rehearsal to match each piece's voice-leading.
  • Listen for changes in compositional technique as you progress through the collection. Each new piece offers a learning moment, so highlight the compositional choice you want students to notice rather than treating each as interchangeable.
  • Use dynamics and phrasing to shape the thematic material in each piece. With young musicians, explicit rehearsal of how the composer is asking you to shape a phrase will make the musical intention clearer than assuming it's intuitive.

How to use it

Rotate selections from this collection throughout the year rather than performing all 15 pieces in a single concert. The varied styles and moderate length make individual pieces ideal for rehearsing specific skills while building a diverse program with minimal preparation time between selections.

Skills your students will build

  • Reading rhythmic variety across simple meters (2/4, 3/4, 4/4) at early levels
  • Phrasing and shaping musical lines with clear intention
  • Recognizing stylistic differences in composition and responding to varied compositional approaches
  • Ensemble balance and listening to ensemble texture
  • Maintaining steady tempo while managing dynamic and articulation changes

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