Concert Time Beginning Band Book 1 - Bells Cover Image

Concert Time Beginning Band Book 1 - Bells: Bells Method Book

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Concert Time Beginning Band Book 1 - Bells Cover Image

Concert Time Beginning Band Book 1 - Bells: Bells Method Book

By Brian Balmages, Quincy C. Hilliard, Les Taylor

Grade: 1

Item: 98-BB201BEL

$3.95
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Description
Concert Time Beginning Band Book 1 is a collection of pieces dedicated to strengthen, reward, and challenge young musicians. The book features 15 pieces, all of which differ in style, compositional technique, and theme. It is perfect for use with first-year band students and is ideal to start off the year with second-year students as well.

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Additional Details
Series: Concert Time Band Book (Bells)
Publisher: The FJH Music Company, Inc.
UPC: 674398206803
SKU: 98-BB201BEL

More about this title

About the Composer: Brian Balmages

Brian Balmages

Brian Balmages has built a reputation as a composer and conductor working fluently across orchestral, band, and chamber music traditions. His works have been performed worldwide by ensembles ranging from professional orchestras to elementary school groups in major venues including Carnegie Hall, the Kennedy Center, and Sydney Opera House. He received the A. Austin Harding Award from the American School Band Directors Association, won the 2020 NBA William D. Revelli Composition Contest for Love and Light, and holds membership in the American Bandmasters Association.

Balmages has received commissions from major institutions, including one from the University of Miami for the presidential inauguration of Dr. Julio Frenk, and his music was performed at the 2013 Presidential Inaugural Prayer Service. As a conductor, he guest leads all-state and regional ensembles, university orchestras, and professional groups internationally. He currently serves as Director of MakeMusic Publications and Digital Education for Alfred and MakeMusic.

Why we love this

Balmages and his co-composers understand what first-year mallet players need: varied musical experiences that build technique without overwhelming. The 15 pieces span different styles and compositional approaches, so every student finds something that speaks to them while the director gets genuine repertoire, not filler.

What to expect

The collection balances accessibility with genuine musicianship. Opening pieces welcome new players with clear melodies and supportive harmonies, while later selections introduce richer harmonic textures and more intricate rhythmic patterns without losing the sense of musical satisfaction that keeps young musicians engaged.

Who it's for

This book serves first-year bell players starting their band experience and works equally well with second-year students early in the year who need to solidify fundamentals. Directors of concert bands with mallet percussion sections will find reliable, grade-appropriate material that builds quickly from accessible to moderately challenging.

How to get the most out of it

  • Establish consistent grip and stroke before moving through the collection. Use the opening pieces to reinforce fundamental posture so that mallet control improves naturally across all 15 selections.
  • Rotate between pieces rather than working linearly. Mix easier selections with more challenging ones to maintain engagement and allow students to apply new techniques to different musical contexts.
  • Pay attention to the compositional techniques featured in each piece. Each selection introduces or reinforces something specific, so brief discussion of what makes each one distinct helps students listen more actively.
  • Record performances of individual pieces throughout the year. Students hear themselves grow across the collection and gain confidence for solo recitals or ensemble concerts.

How to use it

Build bell solos or duets into your fall concerts by selecting pieces from the early half of the book. Program selections from the second half alongside full-band repertoire to show the range and growth your mallet players have achieved by winter or spring concert season.

Skills your students will build

  • Consistent mallet grip and stroke production
  • Reading treble clef notation with accuracy
  • Maintaining steady pulse across changing time signatures
  • Dynamic control and musical phrasing
  • Foundational two-mallet technique
  • Listening for harmonic context while performing melody

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