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Concert Piece for Eight Trumpets: Trumpet, Octet, Conductor Score & Parts

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Concert Piece for Eight Trumpets Cover Image

Concert Piece for Eight Trumpets: Trumpet, Octet, Conductor Score & Parts

By Bruce Broughton

Grade: 5

Item: 36-BSMCHM102

$17.00
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Description
Recorded by Philip Smith, Principal Trumpet of the New York Philharmonic, and other well-known NY musicians. An electrifying piece for advanced trumpet ensemble by the contemporary composer.

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Additional Details
Series: Black Squirrel Music - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-270443-5
ISBN13: 979-8-89-270443-4
UPC: 659359568978
SKU: 36-BSMCHM102
Instrumentation: Trumpet Octet

More about this title

About the Composer: Bruce Broughton

Bruce Broughton

Bruce Broughton has established himself as a composer across film, television, and concert music. His film scores include Silverado, Tombstone, The Rescuers Down Under, Miracle on 34th Street, and the Homeward Bound series, while his television work spans everything from network dramas like JAG and Dallas to animated series created by Seth MacFarlane and Steven Spielberg. His accolades include an Oscar nomination, a Grammy nomination, and ten Emmy wins among twenty-three nominations.

Beyond screen work, Broughton maintains an active concert music practice with commissions and performances by major orchestras including the Cleveland Orchestra, Chicago Symphony, and Los Angeles Chamber Orchestra. He serves as a board member of ASCAP and has held leadership positions in the Academy of Television Arts and Sciences, the Academy of Motion Picture Arts and Sciences, and the Society of Composers and Lyricists, where he is a founding member.

Why we love this

Broughton brings his film scoring expertise to this trumpet octet, creating a piece that balances technical brilliance with genuine ensemble drama. The recording by Philip Smith and other New York Philharmonic musicians sets a performance standard that clarifies the composer's intentions and gives students a professional reference immediately. Grade 5 difficulty paired with this level of musical sophistication makes it a standout choice for advanced high school or collegiate trumpet ensembles seeking repertoire that sounds impressive without requiring virtuoso soloists.

What to expect

Electrifying and controlled at once, this work harnesses the brilliance and power of eight trumpets in concert. Broughton's experience scoring for film brings cinematic scope to the chamber setting, with moments that build to luminous climaxes and quieter passages that require refined tone control.

Who it's for

Advanced high school trumpet ensembles and collegiate trumpet choirs seeking challenging repertoire that showcases ensemble precision and individual musicianship. This is an ideal choice for groups with the technical foundation to handle Grade 5 material and the artistic maturity to execute the dramatic contrasts Broughton likely demands.

How to get the most out of it

  • Balance the eight parts carefully during rehearsal; mark which trumpets carry the primary melody at each section so players understand their role in the larger texture.
  • Study the recorded performance to absorb the style and articulation choices that Smith and his colleagues employ, then adapt those approaches to your ensemble's sound.
  • Attend to intonation in unison and octave passages, which expose tuning issues more readily than harmonic textures.
  • Work the rhythmic coordination between parts in isolation before combining all eight voices; this piece likely contains syncopation or off-beat figures that require precision.

How to use it

Feature this piece as a showcase moment on a concert program dedicated to brass repertoire or contemporary American composition. It works equally well as the finale of a recital or as a standalone feature that demonstrates your ensemble's technical achievement and interpretive maturity.

Skills your students will build

  • Ensemble balance and blend across eight trumpet voices
  • Rhythmic precision and coordination in complex musical textures
  • Intonation control in unison and octave passages
  • Interpretation of contemporary concert music idioms
  • Reading and responding to conductor cues in an octet setting

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