Concert Etude Op. 49 for Solo Trumpet and Strings Cover Image

Concert Etude Op. 49 for Solo Trumpet and Strings: String Orchestra, Solo Brass with Ensemble, Score and Parts (EDWIN F KALMUS)

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Concert Etude Op. 49 for Solo Trumpet and Strings Cover Image

Concert Etude Op. 49 for Solo Trumpet and Strings: String Orchestra, Solo Brass with Ensemble, Score and Parts (EDWIN F KALMUS)

By Alexander F. Goedicke, transcrib. Donald Miller

Item: 36-A695402

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Description
Alexander Goedicke (1877–1957) composed his CONCERT ETUDE, Op. 49, in 1929 for trumpet and piano, a brilliant showpiece that quickly became one of the most frequently performed solo works in the trumpet repertoire. A professor at the Moscow Conservatory and a prominent figure in Russian musical life, Goedicke wrote the piece to highlight both lyrical expressiveness and dazzling technical virtuosity, qualities that have made it a favorite in competitions and recitals ever since. In recent years, Donald Miller has created a transcription for trumpet and string orchestra, expanding the work's sonic palette while preserving its virtuosic character and charm. Today, the Concert Etude—in both its original and transcribed forms—remains a cornerstone of the trumpet repertoire, admired for its brilliance, accessibility, and enduring appeal on the concert stage. Instrumenation: Solo Tpt in set: Str (8.8.5.5.5 in set).

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
UPC: 660355063435
SKU: 36-A695402
Instrumentation: Solo Tpt in set: Str (8.8.5.5.5 in set)

More about this title

About the Composer: Alexander F. Goedicke

Alexander Goedicke (1877–1957) was a Russian composer, pianist, and conductor who spent much of his career at the Moscow Conservatory, where he shaped multiple generations of Soviet musicians. His output spanned orchestral works, chamber music, and solo pieces, but he remained best known for his virtuosic writing for brass instruments, particularly the trumpet. Goedicke understood the technical capabilities and lyrical possibilities of his instruments with exceptional clarity, composing works that balanced showmanship with genuine musical substance.

Why we love this

This transcription transforms a trumpet standby into a full orchestral event without sacrificing the soloist's spotlight. The string accompaniment elevates what is already a brilliant piece into a concert-worthy work that gives your string players meaningful material while keeping all eyes on your trumpet section's star. It's the ideal vehicle for a strong solo trumpeter who has earned a major spotlight in your program.

What to expect

Brilliant and rhetorical, the Concert Etude opens with the trumpet's unaccompanied declaration, then unfolds through passages of singing lyricism and explosive technical display. The string orchestra lends warmth and harmonic color to a piece that sparkles with Russian romantic swagger and virtuosic bravura.

Who it's for

This work suits advanced high school and college trumpet players who are ready for a substantial solo assignment within an orchestral framework. Directors seeking a show-stopping feature for a strong soloist paired with a string orchestra will find this transcription offers concert polish without requiring a full band or extensive rehearsal time to balance.

How to get the most out of it

  • Balance the trumpet line prominently from the first phrase; the strings support rather than compete, so resist the urge to swell the orchestra beyond what serves the solo voice.
  • Mark the technical passages where the trumpet scales and arpeggiate, then have the strings lock their accompaniment figures to the soloist's tempo rather than the metronome.
  • Shape the lyrical sections with expressive rubato in the trumpet part; the strings can breathe with the soloist if you give them clear signals about phrase direction and dynamic contour.
  • Rehearse the orchestral entrance and the first dialogue between trumpet and strings separately to ensure the ensemble doesn't overshadow the initial solo statement.

How to use it

Feature this work as a showcase number in a spring or winter concert where you want to highlight a standout trumpet soloist without requiring a full wind ensemble. It also pairs well on programs that already include string orchestra repertoire, allowing you to keep both ensembles engaged on the same concert while giving your strings meaningful accompaniment writing.

Skills your students will build

  • Sustained lyricism and expressive phrasing in exposed solo passages
  • Technical facility in rapid scalar and arpeggiated figures
  • Orchestral balance and ensemble listening from the accompaniment parts
  • Collaboration between soloist and ensemble in dialogue-based sections
  • Trumpet endurance and control across the full range of the instrument

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