Con Brio: Bassoon

Con Brio delivers the energy and structural satisfaction of a genuine march without requiring advanced technical demands from your ensemble. Ford's knowledge of what makes a march work in the concert band idiom shows in the balanced writing and the clever incorporation of "The Maple Leaf Forever" in the trio, which adds regional resonance while maintaining stylistic coherence. The three-minute duration and Grade 3 scoring make it an ideal opener or closer that audiences will recognize as quintessentially American band music.

Bright and propulsive, with the snap and forward drive of a well-written march. The trio section shifts to a singing, almost nostalgic quality when the Canadian folk melody enters, creating a satisfying emotional arc. It's music designed to move audiences and musicians alike, energizing without exhaustion.

Grade 3 bands seeking a polished, energetic concert piece that sounds more substantial than its difficulty level suggests. This work suits ensembles building confidence in their ability to execute style-specific performance practices, particularly marching form conventions. Directors programming festivals, pops concerts, or community band events will find a crowd-pleasing selection that doesn't compromise musicality.

• Shape the opening section with forward momentum; the brisk tempo is the piece's character, not something to rush past or drag down.
• Bring out the melody line in the trio without sacrificing the supportive harmonic texture underneath; balance allows the "Maple Leaf Forever" quotation to breathe naturally.
• Use the repeats strategically if your rehearsal time is limited, but plan full performance if possible; the form rewards the complete journey.
• Mark dynamic contrasts clearly in parts; the sparkling effect depends on clean transitions between sections.

Open a concert with this piece to set an upbeat tone and grab immediate attention. Program it alongside other march-form works to explore the breadth of the genre, or pair it with slower, lyrical selections to create dynamic contrast. Its British Columbia premiere and commissioning history make it a natural fit for regional or themed concerts celebrating North American band repertoire.

• Executing march form and phrase architecture typical of the concert band tradition
• Balancing melody and accompaniment in ensemble settings
• Performing at brisk tempos with precision and control
• Recognizing and interpreting style-specific articulation and phrasing conventions
• Reading and performing from a full conductor score alongside individual parts