Complete String Quintets, Vol. 1: Nos. 2-6 Cover Image

Complete String Quintets, Vol. 1: Nos. 2-6: String Quintets

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Complete String Quintets, Vol. 1: Nos. 2-6 Cover Image

Complete String Quintets, Vol. 1: Nos. 2-6: String Quintets

For 2 Vn., 2 Va. and Vc.; K406 (516b), 515, 516, 593, 614 (Set of Parts)

By Wolfgang Amadeus Mozart

Item: 98-EP18

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Description
The first volume of Mozart's Complete String Quintets features K406 (K516b), K515, K516, K593, and K614, for two violins, two violas and cello.

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 188
ISBN10: 0-30-070064-4
ISBN13: 979-0-3007-0064-9
SKU: 98-EP18

More about this title

About the Composer: Wolfgang Amadeus Mozart

Mozart composed his five string quintets late in his career, between 1787 and 1791, a period when he was simultaneously writing his greatest operas and symphonies. These works represent his most ambitious chamber music writing for strings, expanding the traditional string quartet by adding a second viola to deepen the harmonic palette and create richer contrapuntal possibilities.

For string educators, Mozart's quintets stand as essential repertoire that bridges the gap between student quartet work and the Brahms and later Romantic quintet literature. They demand secure musicianship while remaining fundamentally lyrical and transparent in texture, making them ideal for building ensemble maturity.

Why we love this

These quintets showcase Mozart at his most inventive within the chamber medium. The addition of a second viola transforms the harmonic and textural possibilities available to the ensemble, and Mozart exploits this brilliantly across five distinct works. String directors love programming from this set because each quintet has its own character, allowing flexibility in concert programming while maintaining a coherent artistic vision.

What to expect

These quintets strike a balance between Enlightenment elegance and emotional depth. The familiar clarity of Mozart's melodies combines with sophisticated harmonic movement and intricate inner-voice writing that keeps ensemble members engaged throughout. You hear both the architecture of classical form and moments of genuine intimacy that reward close listening.

Who it's for

Advanced amateur ensembles and conservatory-level string quartets ready to expand their repertoire. This volume works well for programs where musicians have secure intonation and ensemble discipline, and where coaching or self-directed study can support the learning process.

How to get the most out of it

  • Balance the viola section carefully. With two violas filling the inner voices, they can easily overwhelm the melodic lines; think of them as harmonic ballast rather than accompaniment.
  • Notice how Mozart shifts the principal voice between instruments across phrases. Bring out these embedded melodies rather than letting them disappear into the texture.
  • Take time with the slow movements to establish a singing tone. The string writing here is deceptively simple and exposes any tension or lack of phrase direction in the ensemble.
  • In the faster movements, clarity of articulation matters more than speed. Mozart's rhythmic patterns are intricate, and they need to be heard distinctly.

How to use it

These quintets anchor a chamber music concert or a "Mozart Evening" where they can be paired with his string quartets, wind music, or solo works. Alternatively, programming one quintet per season across a chamber series lets audiences develop familiarity with the cycle and gives your ensemble time to rehearse thoroughly between performances.

Skills your students will build

  • Balancing multiple inner voices while maintaining clarity of texture
  • Reading and executing Mozartean phrase structure across different instrumental lines
  • Intonation refinement in close harmonic progressions
  • Ensemble coordination in fast passage work with varied rhythmic figures
  • Sustaining long lyrical lines with appropriate vibrato and tone color
  • Understanding and performing Enlightenment-era articulation and ornamentation

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