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Complete Songs, Vol. 1 (Medium Voice): Voice & Piano

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Complete Songs, Vol. 1 (Medium Voice) Cover Image

Complete Songs, Vol. 1 (Medium Voice): Voice & Piano

1861-1882, Urtext

By Gabriel Fauré / ed. Roy Howat and Emily Kilpatrick

Item: 98-EP11391B

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Description

This is the first volume in a five-volume set of the complete songs and vocalises of Gabriel Fauré, the only complete critical edition. Based on the study of hundreds of manuscript and printed sources, Roy Howat and Emily Kilpatrick have tested the edition internationally in masterclasses, workshops, seminars, concerts and recordings, with the participation of professional singers, students, teachers, coaches and specialists.

This first volume contains all songs written up to 1882, encompassing many of Fauré’s most well-known and loved songs, including Après un rêve, Le papillon et la fleur and Au bord de l’eau. The volume includes a preface in French, English and German, and translations into English and German of the original poetry.

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 212
ISBN10: 0-01-411761-4
ISBN13: 979-0-0141-1761-0
SKU: 98-EP11391B

More about this title

About the Composer: Gabriel Fauré

Gabriel Fauré (1845, 1924) shaped French vocal music through five decades of song composition, creating a bridge between Romantic lyricism and early modernist restraint. His gift for matching musical subtlety to poetic nuance made him a model for generations of French composers, and his songs remain cornerstones of the art song repertoire because they reward both intimate study and repeated performance.

Why we love this

Roy Howat and Emily Kilpatrick's critical edition restores Fauré's intentions through meticulous source study, giving singers and coaches access to authoritative texts that clarify ambiguities and reveal compositional choices obscured by earlier printings. Volume 1 pairs famous works like Après un rêve with lesser-known gems, creating a resource that serves both recital planning and deep artistic exploration. The inclusion of parallel poetry translations removes a genuine barrier to interpretation, allowing singers to inhabit the text with confidence.

What to expect

Fauré's early songs balance elegance with emotional directness, moving between moments of hushed intimacy and soaring lyrical peaks without ever losing refinement. The musical language feels both timeless and distinctly French, shaped by careful word-setting and harmonic progressions that surprise without unsettling.

Who it's for

Serious singers preparing solo recitals, vocal coaches developing comprehensive Fauré programs, and advanced students ready to engage with a composer whose songs demand both technical security and interpretive maturity. This critical edition serves professionals and dedicated amateurs equally well.

How to get the most out of it

  • Consult the preface notes on each song's textual history; Fauré's revisions often reflect subtle but meaningful shifts in harmonic language or vocal range that shape interpretation.
  • Treat the piano writing as a full collaborative voice rather than accompaniment; Fauré's harmonic sophistication often lives in the instrumental layer and demands sensitive listening from both performers.
  • Ground your approach in the French language cadence of the original poetry, even if performing in translation; the rhythmic and tonal contours of Fauré's setting follow the speech patterns of Verlaine, Silvestre, and other collaborators.

How to use it

Open a recital with a sequence drawn from this volume to establish a strong Francophone identity; the range of moods and poetic subjects here supports entire program halves devoted to Fauré alone. Pair familiar favorites like Après un rêve with discovery pieces to guide audiences into deeper listening and deepen the artistic stakes of your presentation.

Skills your students will build

  • French language diction and its relationship to melodic phrasing
  • Interpretation of refined harmonic language and harmonic expectation
  • Collaborative musicianship with pianists across varying pianistic textures
  • Analysis of text-setting strategies in art song and their emotional implications
  • Understanding of song cycle construction and thematic unity within a collection

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