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Complete Songs (High Voice): Voice & Piano

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Complete Songs (High Voice) Cover Image

Complete Songs (High Voice): Voice & Piano

79 Songs, incl. 5 by Fanny Hensel

By Felix Mendelssohn / ed. Max Friedländer

Item: 98-EP1774A

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 180
ISBN10: 0-01-400808-4
ISBN13: 979-0-0140-0808-6
SKU: 98-EP1774A

More about this title

About the Composer: Felix Mendelssohn

Felix Mendelssohn (1809-1847) was a Romantic composer whose gift for melody and formal clarity shaped vocal music across Europe. His songs, or Lieder, represent a crucial bridge between the classical tradition and the expressive possibilities of the nineteenth century, combining sophisticated harmonic language with text-painting that never overshadows the voice.

Why we love this

Mendelssohn's vocal writing sits in that rare space where the music serves the singer without sacrificing compositional substance. The piano parts are genuinely pianistic, offering both technical interest and the kind of accompaniment that allows vocalists to shine rather than fight for space. A collection this comprehensive gives you the freedom to program songs that genuinely move listeners rather than filling time with familiar war horses.

What to expect

Mendelssohn's songs unfold with the inevitability of conversation. Lyricism flows naturally from the harmonic language, and even moments of dramatic intensity feel conversational rather than bombastic, creating an intimacy that draws listeners close. The piano writing echoes and answers the voice, as if two musicians are discovering the text together.

Who it's for

Serious high voice students preparing art song repertoire for competitions, recitals, and degree auditions will find substantial material here. Voice teachers and coaches value this collection for its range of moods and technical demands, which build interpretive maturity across multiple vocal styles.

How to get the most out of it

  • Shape each phrase with the arc of the text rather than the bar line; Mendelssohn's melodies breathe with language, not just meter.
  • Balance the voice and piano as equal partners. The accompaniments aren't mere support, so give them clarity and definition.
  • Approach ornamentation and optional passages as compositional choices that enhance character, not decoration to show off technique.
  • Pay attention to the dynamic landscape across entire songs. Mendelssohn's control of register and intensity creates narrative momentum that sustains longer works.

How to use it

These songs work beautifully in a recital program as both anchors and transitions between heavier repertoire. Pairing them with German Romantic predecessors (Schubert, Schumann) shows stylistic continuity, while programming them alongside contemporaries reveals the distinctive clarity of Mendelssohn's approach to song form.

Skills your students will build

  • Lyrical legit singing with clear diction in German
  • Stylistic navigation of Romantic harmonic language and text expression
  • Collaboration with pianists on balanced ensemble communication
  • Control of phrasing across multiple song forms and lengths
  • Interpretation of dynamic and registral shifts that create narrative arc

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