Compl. String Quintets, Vol. 2: No. 1, Horn Q., Clar. Q., Serenade No. 10 (Arr.) Cover Image

Compl. String Quintets, Vol. 2: No. 1, Horn Q., Clar. Q., Serenade No. 10 (Arr.): String Quintets

$56.00 USD
Sale price  $56.00 USD Regular price 
Skip to product information
Compl. String Quintets, Vol. 2: No. 1, Horn Q., Clar. Q., Serenade No. 10 (Arr.) Cover Image

Compl. String Quintets, Vol. 2: No. 1, Horn Q., Clar. Q., Serenade No. 10 (Arr.): String Quintets

K174, 407 (Hn./Vc. 1 instead of Vn. 2), 581 (Va. 1/Clar.), 46, Anh. 179 (Parts)

By Wolfgang Amadeus Mozart

Item: 98-EP19

$56.00
Shipped

One moment…

Description
The second volume of Mozart's Complete String Quintets features K174 for two violins, two violas and cello; K407 for French horn, violin, two violas and cello; K581 for clarinet and string quartet; and K46 and K Anh. 179, both for two violins, two violas and cello.

Compl. String Quintets, Vol. 2: No. 1, Horn Q., Clar. Q., Serenade No. 10 (Arr.): String Quintets isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 148
ISBN10: 0-30-070074-1
ISBN13: 979-0-3007-0074-8
SKU: 98-EP19

More about this title

About the Composer: Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart (1756-1791) composed prolifically across every major genre, establishing the classical style through works of unprecedented clarity and emotional depth. His chamber music reveals a composer working at the height of his powers: the string quintets represent his most ambitious writing for this ensemble, combining the intimate conversational quality of chamber music with symphonic scope and harmonic sophistication.

Why we love this

This volume captures Mozart at his most inventive with instrumentation. The addition of clarinet in K581 and French horn in K407 transforms the traditional string quintet texture, while K174 and the serenades showcase the formal mastery and melodic brilliance that define his chamber writing. Programming works that alternate between standard and wind-augmented quintets creates natural variety while remaining cohesive stylistically.

What to expect

These quintets move between moments of intimate conversation and broader dramatic gestures. K174 unfolds with Mozartian grace and structural clarity; the wind-augmented works introduce coloristic warmth and lyrical expansion. Throughout, there's a sense of compositional generosity, where every voice receives melodic substance and the ensemble dialogue feels genuinely democratic.

Who it's for

This collection serves advanced chamber ensembles and serious string players pursuing classical repertoire of genuine depth. Violinists, violists, and cellists preparing for chamber music competitions or university-level ensembles will find essential material here.

How to get the most out of it

  • Balance the horn and clarinet voices carefully in K407 and K581; these instruments cut through quickly, so shape their entries with restraint and let the strings provide harmonic support rather than competing for presence.
  • Address the viola writing throughout: Mozart frequently gives both violas substantial material that equals the violin parts. Ensure viola players understand they're voices of equal importance, not accompaniment.
  • Establish clear phrasing conventions among the ensemble before rehearsal. Mozart's phrases often overlap between instruments across multiple staves; marking breath points and passage continuity prevents the music from fragmenting.
  • Attend to the transition between works if you program multiple pieces from this volume. Tempo relationships and the character shifts between K407 and K581 require clear ensemble agreement to maintain momentum.

How to use it

Use individual quintets as centerpieces for chamber concerts or as contrasting works within larger recitals featuring mixed ensembles. K407 and K581 pair well with classical wind works, while K174 sits naturally alongside other string chamber repertoire from the period. The collection's breadth allows you to select works matched to your ensemble's instrumentation and rehearsal calendar.

Skills your students will build

  • Balance and blend in five-part writing with unequal instrumental forces
  • Navigation of extended classical forms (multiple movements, development sections, recapitulation)
  • Intonation sensitivity specific to viola doubling and close harmonic spacing
  • Ensemble communication without a conductor through phrase-based cueing
  • Reading orchestral textures transposed for clarinet and French horn (K407, K581)

You May Also Like