Companion to the Harmonic and Structural Analysis of the <I>Materials of Western Music</I>, Part 1 Cover Image

Companion to the Harmonic and Structural Analysis of the <I>Materials of Western Music</I>, Part 1: Comb Bound Book

$16.95 USD
$16.95 USD
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Companion to the Harmonic and Structural Analysis of the <I>Materials of Western Music</I>, Part 1 Cover Image
Companion to the Harmonic and Structural Analysis of the Materials of Western Music, Part 1: Comb Bound Book

Companion to the Harmonic and Structural Analysis of the Materials of Western Music, Part 1: Comb Bound Book

By William G. Andrews

Item: 00-V1431
$16.95
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Description
Provides a complete analysis of the Materials of Western Music. The comb binding creates a lay-flat book that is perfect for study and performance.

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Additional Details
Publisher: Alfred Music
Page Count: 80
ISBN10: 0-7715-7242-5
ISBN13: 978-0-7715-7242-5
UPC: 029156669138
SKU: 00-V1431

More about this title

Why we love this

This companion volume cuts through the abstraction of harmonic theory by grounding it in concrete analysis of actual repertoire. The comb binding transforms what could be an unwieldy reference into a genuinely usable study tool that stays open to the exact page you need during lesson planning or score study.

Who it's for

Music theory instructors, advanced music students, and teachers who use Materials of Western Music as a core text and need a detailed analytical companion. This resource is also valuable for any musician working to deepen their understanding of harmonic function and structural design across Western classical literature.

How to use it

Assign sections of this companion alongside corresponding chapters in Materials of Western Music to reinforce harmonic analysis concepts through direct engagement with musical examples. Use it as a reference during theory classes to provide students with step-by-step analytical models they can replicate in their own score study.

Skills your students will build

  • harmonic analysis and chord function identification
  • structural analysis and form recognition
  • voice leading principles and part-writing conventions
  • application of theoretical concepts to complete musical works

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