Comin' Up Christmas Time: Guitar Sheet Music Preview

Comin' Up Christmas Time: Guitar: Choral SoundPax

Words and music by Joseph Barbera, William Hanna, and Hoyt Curtin / arr. Andy Beck

Item: 00-PC-0014308_G

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Description
A jolly opener or theme song for holiday concerts! This pull-the-stops-out arrangement of the delightful Hanna-Barbera song includes several phrases from familiar Christmas carols, a festive 2-beat style, and terrific opportunities for staging or choreography! A wonderful welcome for the holiday season. SoundPax includes 2 fl., cl., a. sax., t. sax., 2 tpt., 2 tbn., synth., mallets, sleigh bells, perc., rhy.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Comin' Up Christmas Time: Guitar: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 62
SKU: 00-PC-0014308_G
Instrumentation: SoundPax

More about this title

About the Composer: Joseph Barbera

Joseph Barbera (1911-2006) was an animator, director, and composer who co-founded Hanna-Barbera Productions with William Hanna. Together they revolutionized television animation and created some of the most recognizable cartoon characters and themes in entertainment history. Barbera's work in scoring animated shorts and series gave him a distinctive gift for melody that was instantly memorable and perfectly suited to vocal performance.

Why we love this

Andy Beck's arrangement captures the infectious charm of the original while giving your singers something genuinely fun to perform. The integration of Christmas carol phrases creates instant familiarity for audiences, and the festive 2-beat groove with built-in choreography opportunities means this opener practically stages itself. It's the kind of piece that energizes a concert from the opening downbeat.

What to expect

From the first notes, this arrangement radiates holiday joy without a hint of cynicism. The bouncing 2-beat rhythm keeps energy high while the woven-in carol melodies ground it in tradition. There's a real sense of celebration here—joyful, accessible, and genuinely fun for both singers and listeners.

Who it's for

Holiday concerts need an opener that sets an immediate festive tone and draws audiences in. This arrangement works for school choirs, community ensembles, and church choral programs looking for something with both musical substance and entertainment value. If your singers enjoy performance and your director can work with movement, this piece rewards that investment.

How to get the most out of it

  • Establish the 2-beat feel clearly in early rehearsals; this rhythm is essential to the piece's bouncy character and gives your singers confidence in the forward motion.
  • Work the movement and staging options intentionally rather than as an afterthought. The arrangement was written with choreography in mind, and committing to blocking early pays off in ensemble cohesion and audience engagement.
  • Balance the familiar carol phrases so singers highlight the melodic connections without losing the modern arrangement's energy. These moments deserve clarity but should feel organic within the whole.
  • Layer the percussion and sleigh bells during rehearsal to build texture gradually; the full effect emerges when all elements lock together.

How to use it

This is designed as a concert opener; its energy and visual potential make it a perfect threshold piece that gets audiences smiling before anything else happens. You could also use it as a program finale if your concert needs a send-off that leaves people happy. The festive staging options make it a natural choice for a holiday cabaret or informal concert setting where movement adds to rather than distracts from the music.

Skills your students will build

  • Singing in a consistent 2-beat feel and maintaining rhythmic precision in a groove-based style
  • Integrating choreography and movement with singing without sacrificing vocal quality
  • Recognizing and performing melodic quotations from familiar repertoire within a contemporary arrangement
  • Coordinating with instrumental accompaniment and responding to percussion and rhythm section cues

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