Come, We That Love The Lord Sheet Music Preview

Come, We That Love The Lord: SATB Choral Octavo

By Robert Lowry / By Bob Burroughs / By Aaron Williams

Item: 35-DS00226084

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Additional Details
Publisher: Hal Leonard
Page Count: 9
SKU: 35-DS00226084

More about this title

About the Composer: Robert Lowry

Robert Lowry (1826-1899) was a prolific American hymn composer and minister whose melodies became staples of Protestant worship throughout the 19th century. His gift for writing singable, memorable tunes meant his work could move from the sanctuary into the hearts of congregants quickly and authentically.

Why we love this

This arrangement honors a beloved hymn tune while giving your choir fresh harmonic interest and structural clarity across nine pages. The SATB voicing sits naturally for mixed ensembles, and the sacred context makes it a reliable anchor for concerts that need spiritual weight without technical demands that overwhelm.

What to expect

Warmth and familiarity pervade this arrangement. The melody invites singers and listeners alike into a space of reflection and gathering, while the four-part writing creates harmonic richness that feels both timeless and contemporary enough for modern concert settings.

Who it's for

This octavo serves choirs preparing sacred concerts, church services, or community performances where a well-known hymn connects with the audience. It works equally well for high school choirs building their sacred repertoire and church choirs seeking quality arrangements of traditional material.

How to get the most out of it

  • Establish the hymn tune's character in the soprano line first, then layer the supporting voices until the full texture settles. The arrangement works best when listeners recognize the familiar melody immediately.
  • Shape the text with natural speech rhythms rather than metronomic precision. Hymns gain their power through communal singing, so encourage breath and phrasing that feels conversational.
  • Balance the inner voices carefully in sections where they carry harmonic movement. Aaron Williams' contributions to this arrangement likely add textural depth that needs clear but not aggressive articulation.

How to use it

Place this early in a concert to establish an emotional foundation, or save it for a closing moment when the audience has settled into listening deeply. It pairs naturally with other sacred works and provides an accessible contrast if your program includes challenging contemporary or foreign-language pieces.

Skills your students will build

  • Blending voices to support rather than compete with the melody
  • Singing sustained harmonic passages with stable intonation
  • Interpreting text with emotional authenticity in a hymnic context
  • Balancing familiar tune recognition with fresh arrangemental choices

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