Come Together (arr. Larry Moore)

Larry Moore's arrangement captures the iconic groove and energy of this classic without overwhelming younger ensembles. The Grade 3-4 scoring lets students experience the satisfaction of playing a globally recognized song while building their chops on contemporary material that actually excites them.

Propulsive and hypnotic. The arrangement marries the song's unmistakable bass figure with layered horn textures that build momentum across its 2:25 runtime. You get the classic Beatles' blend of accessibility and musical substance.

Bands and ensembles at the intermediate level who want to program rock repertoire that resonates with students and audiences alike. This works equally well for concert band, jazz ensemble, or mixed instrumentation projects exploring Beatles' material.

• Lock the rhythm section into a tight pocket from the opening; the power of this tune lives in groove, not precision alone.
• Balance the iconic bass line so it sits forward enough to anchor the arrangement without overpowering the ensemble.
• Commit fully to the syncopated hits in the horn section; they're the glue between verses.

Pair this with other classic rock arrangements in a program celebrating popular music's compositional depth, or use it as a finale that sends audiences out energized. It's also an ideal selection for pep bands, community concert series, or any venue where you want to bridge the gap between classical and contemporary.

• Reading syncopated rhythmic figures in a contemporary context
• Locking ensemble groove and maintaining steady pulse across changing textures
• Balancing multiple rhythmic layers (bass line, drum part, ensemble hits)
• Articulation control for crisp, unified rhythmic attacks in the horn section