Come To Us Sheet Music Preview

Come To Us: 2-Part Choral Octavo

By Anna Laura Page

Item: 35-DS00225140

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Additional Details
Publisher: Hal Leonard
Page Count: 7
SKU: 35-DS00225140

More about this title

About the Composer: Anna Laura Page

Anna Laura Page

Anna Laura Page holds degrees in vocal music education and music theory from the University of Kentucky, with additional study in piano and organ. Her career spans composition, clinical work, and teaching; she has served as director of a children's chorus in Tennessee and taught music theory and organ at universities in Georgia and South Carolina. Page received the ASCAP Standards Award multiple times and contributed to the Southern Baptist hymnal revision process.

As Handbell Music Editor for Alfred Publishing, Page has established herself as a voice in sacred and secular choral writing. Her catalog encompasses works for children, youth, and adult ensembles across multiple genres and instrumentations. She remains actively engaged in music education and composition while based in Texas.

Why we love this

Page writes for children's choirs with genuine understanding of what these singers can accomplish musically without overextending them technically. The Advent text arrives at a moment when many programs need accessible material that still carries weight and sincerity, and this setting delivers both.

What to expect

This is music that invites rather than demands, marked by warmth and gentle conviction. The two-part writing creates clear harmonic presence without complexity, allowing singers to focus on honest communication of the text.

Who it's for

Elementary through early middle school choirs will find this accessible and rewarding. It works equally well for children's choruses, church youth choirs, or school programs seeking straightforward yet musically satisfying Advent repertoire.

How to get the most out of it

  • Establish the harmonic foundation clearly in the lower voice before layering the melody; a confident alto line keeps the whole texture grounded.
  • Find the lyrical arc across phrases rather than treating each line as a separate unit; let the text naturally shape your phrasing.
  • Balance blend over uniformity of tone; two-part writing benefits from slight tonal color differences that reinforce the independence of each line.

How to use it

This octavo fits naturally into December concert programming or Sunday services during the Advent season. Consider pairing it with a more rhythmically energetic piece to provide variety, or use it as an opening selection that sets a reflective tone for the program.

Skills your students will build

  • Singing in two independent parts with secure harmonic awareness
  • Sustaining legit tone across longer phrases without tension
  • Balance and blend between soprano and alto lines
  • Text expression in a sacred context

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