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Come Thou Fount of Every Blessing: SATB Choral Octavo

$2.25 USD

Come Thou Fount of Every Blessing: SATB Choral Octavo

Name: Come Thou Fount of Every Blessing: SATB Choral Octavo
Brand: Alfred Music
SKU: 00-LG51074
Price: 2.25 USD
Availability: InStock

By Robert Robinson / arr. Lloyd Pfautsch

Item: 00-LG51074

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Series: Alfred Archive Edition: Lawson-Gould Music Publishers

Publisher: Alfred Music

Page Count: 12

UPC: 783556003144

SKU: 00-LG51074

More about this title

About the Arranger: Lloyd Pfautsch

Lloyd Pfautsch (1921-2003) was a distinguished choral conductor, composer, and arranger whose work shaped American sacred music for more than five decades. He served as conductor of the Morgan State University Choir and held faculty positions at several universities, bringing both scholarly rigor and practical musicianship to everything he arranged. His settings of hymns and sacred texts remain central to choral libraries because they honor the original melodies while adding harmonic depth and textural variety that engage singers and audiences alike.

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Why we love this

Pfautsch's setting preserves the hymn's contemplative strength while giving each voice part something genuinely musical to do. The 12-page score offers enough harmonic interest to hold a mature choir's attention without sacrificing the tune's accessibility, making it ideal for choirs that want substance without obscurity.

What to expect

Warm, grounded, and reflective. Pfautsch's harmonic language feels both familiar and gently exploratory, inviting singers into contemplation of the text without demanding virtuosity. The piece breathes naturally, offering moments of unison simplicity alongside passages of woven harmony.

Who it's for

This arrangement suits choirs with solid four-part blend and musicianship. It works for liturgical settings, concert programs, and festival performances where a well-crafted sacred standard serves both worshipful intent and musical substance.

How to get the most out of it

Balance the melody carefully between soprano and alto in sections where both voices carry thematic material; neither should overshadow the other.
Shape phrases with gentle dynamic curves rather than stark contrasts; the piece rewards singers who listen for long lines beneath individual moments.
Let the accompaniment (if used) sit slightly back in the mix so the voices remain the focal point throughout.
Take time in rehearsal to discuss the text's spiritual arc; intention transforms the harmonic movement from intellectual exercise into genuine expression.

How to use it

Program this early in a choral concert to set a reverent tone, or pair it with other hymn settings to create a thematic program exploring how different arrangers approach sacred melodies. It also serves well in church services where its length and moderate difficulty suit Sunday morning rehearsal capabilities.