Come Magnify (SSA/SAT) (arr. David Angerman): SSA Choral Octavo

David Angerman's arrangement respects the song's contemplative character while giving SSA choirs genuine independence across all three parts. The 14-page score offers enough musical substance to engage singers without overwhelming younger or developing ensembles, and the text setting feels natural rather than forced around vocal divisions.

Reverent yet modern, with a warmth that comes from straightforward harmonic language and genuine melodic beauty. The piece unfolds like a quiet conversation about faith, building gradually in intensity without sacrificing its meditative core.

This arrangement suits high school choirs, church choirs with developing singers, and college ensembles looking for repertoire that honors contemporary songwriting while maintaining choral craftsmanship. It works equally well for groups focused on sacred music or those building a diverse seasonal program.

• Balance the soaring moments between sopranos and altos; resist the urge to let sopranos dominate. The arrangement works best when both sections feel equally invested in the melody.
• Lean into the lyrical phrasing rather than mechanical rhythmic precision. Nockels' writing responds to language and emotion, so guide singers to follow the text's contours.
• If using recorded accompaniment, leave space for breath before key moments. Singers often rush entrances when tracking to a click, so rehearse those transitions independently first.
• Pay attention to the harmonic color in the middle section. Angerman's voicing choices here create a specific emotional tone that dissolves if intonation slips.

Consider this for spring worship services, Easter cantata settings, or standalone concerts celebrating contemporary sacred music. Its moderate length and accessible difficulty make it an excellent anchoring piece for a program that might include both traditional and modern repertoire, or a strong final selection for a concert focused on faith and reflection.

• Balancing independent melodic lines within a homophonic texture
• Sustaining legit phrasing across longer phrases without pitch drift
• Blending SSA voicing to achieve unified harmonic sound
• Interpreting contemporary text setting with musical sensitivity
• Reading and executing smooth voice leading across register changes