Come Fly With Me: The Best Of Sammy Cahn (Medley) Sheet Music Preview

Come Fly With Me: The Best Of Sammy Cahn (Medley): SAB Choral Octavo

By James Van Heusen / As performed by Sammy Cahn / Arranged by Kirby Shaw

Item: 35-DS00200261

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Additional Details
Publisher: Hal Leonard
Page Count: 23
SKU: 35-DS00200261

More about this title

About the Composer: James Van Heusen

James Van Heusen (1913-1990) was one of America's most prolific songwriters, composing over 1,000 songs across a career spanning seven decades. His melodies for Hollywood films and Broadway musicals became standards of the American songbook, earning him four Academy Awards and numerous Grammy nominations. Van Heusen's gift for writing singable, memorable lines made his work accessible to performers across all skill levels while maintaining sophisticated harmonic underpinnings that reward careful interpretation.

As a composer, Van Heusen understood what voices could do. His songs sit naturally in the human voice, moving through ranges that feel inevitable rather than showy. For choral directors, this means his melodies teach themselves; students discover phrasing and musicality almost by osmosis.

Why we love this

Kirby Shaw's medley captures the essence of Sammy Cahn's classic material without feeling like a greatest-hits jukebox. The arrangement respects each song while building momentum across the sequence, and the SAB voicing keeps accessibility high without sacrificing harmonic interest. This works beautifully as either a concert closer or a showcase for what a strong middle-voice section can accomplish.

What to expect

Sophisticated without pretense, this medley swings with the ease of a vocalist settling into a jazz club. The harmonic language speaks to American optimism and cool elegance; the melodies are warm and instantly familiar. Singing it feels like being part of something timeless and urbane.

Who it's for

Choirs with solid sight-reading skills and the ability to shift styles quickly will get the most from this medley. It suits groups that value American songbook material and want a crowd-pleasing program piece that also demonstrates choral musicianship.

How to get the most out of it

  • Treat each song in the medley as a distinct character. Tempo and articulation should shift with each new tune, not run together as one continuous piece.
  • The altos carry essential harmonic material throughout. Drill their line separately early; they're not just supporting voices here.
  • Balance the melody among sopranos and tenors depending on the song. Some lines work better when the altos take the lead; let Kirby Shaw's voicing guide you.
  • Record a rough run-through and listen back specifically for transitions between sections. Clean handoffs make the medley feel professional and intentional.

How to use it

This medley earns its place as a concert anchor. Consider programming it after more formal classical work to signal a shift in mood and energy, or build an entire second half around standards and American songbook material. It also works well for spring concerts or community events where accessibility and joy matter as much as technical display.

Skills your students will build

  • Shifting between swing, jazz, and straight-ahead ballad feels
  • Holding independent harmonic lines in three-part texture
  • Quick tempo and style changes within a single piece
  • Phrasing that honors the storytelling in each song
  • Blend and balance when melody moves between voice parts

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