Come Fly With Me: The Best Of Sammy Cahn (Medley): SATB Choral Octavo

Kirby Shaw's arrangement captures the sophisticated swing energy of these standards while remaining vocally accessible. The medley format lets your ensemble perform recognizable classics in a single, engaging package that audiences immediately connect with, making this a practical choice for pop, jazz, or variety concerts.

Sophisticated and swinging, with the glamour of mid-century entertainment embedded in every bar. The medley weaves between intimate, close-harmony moments and fuller ensemble writing, evoking the elegance of a nightclub performance filtered through a concert hall.

This arrangement serves choirs that program jazz standards alongside classical repertoire or want to showcase their versatility at spring concerts. Directors of community choirs, show choirs, and adventurous secondary ensembles will find it accessible and immediately effective. Singers need secure ensemble skills and comfort with contemporary articulation, but no advanced soloists are required.

• Shape the phrases around lyrical peaks rather than bar lines. These melodies breathe in clusters of ideas, and letting singers feel that architecture makes the performances sound effortless.
• Anchor the rhythm section parts early in rehearsals. The groove carries the arrangement, so securing confident piano, bass, and drums gives singers the foundation they need to float on top.
• Balance the blend between sections during modulations and key changes. The medley structure means transitions are critical; mark them clearly and rehearse them separately so the ensemble lands confidently.
• Find the swing feel that matches each song's character. Not all standards swing the same way, and this medley likely includes contrasting tempos and attitudes.

Place this as a centerpiece for a pops or jazz concert, perhaps pairing it with other standard-based arrangements or as a contrast to a heavier classical set. The familiar melodies work equally well as an opener to establish energy or as an audience favorite closing the first half.

• Singing through swing articulation and jazz-inflected phrasing
• Maintaining ensemble balance while tracking multiple melodic ideas across sections
• Executing smooth key modulations in a medley context
• Interpreting rubato and controlled flexibility within a groove-based accompaniment