Come Fly With Me (arr. Kevin Keller): SATB Choral Octavo

Kevin Keller's arrangement strips away the orchestral lushness of the original and rebuilds it from the ground up using pure four-part harmony. The result is a piece that sounds effortless on the surface but demands real blend, intonation precision, and attention to the barbershop style elements that give it character.

Smooth and urbane. The harmonies evoke the sophisticated ease of a classic saloon, with enough harmonic color to keep singers engaged and audiences delighted. It's the kind of piece that sounds like it's being sung by people having fun together, even when the technical demands are considerable.

Community choirs looking for repertoire that feels contemporary without sacrificing musicality will connect with this piece. It also works beautifully for competitive barbershop quartets or larger ensembles training singers in blend and style-specific technique.

• Balance the melody in the soprano line while keeping alto, tenor, and bass locked together as a supporting unit. Barbershop style depends on the four voices functioning as one harmonic instrument.
• Nail the chord quality by listening vertically rather than horizontally. Because barbershop uses extended and altered harmonies, tuning the seventh and ninth intervals precisely will make the arrangement shine.
• Shape phrases with subtle dynamic contours rather than dramatic swells. The charm of this arrangement lives in the elegance of the voicing, not in volume.

Place this as a mid-program piece to lighten the mood and showcase your singers' blend skills without requiring them to project at full volume. It pairs well alongside other American standards or works as a fun palate cleanser between heavier choral works.

• Four-part blend and balance in SATB voicing
• Tuning extended harmonies (sevenths, ninths, and altered chord tones)
• Barbershop style articulation and phrasing conventions
• Vertical listening and harmonic awareness across the ensemble
• Ensemble cohesion and unified vowel production