Come Fly With Me Sheet Music Preview

Come Fly With Me: Jazz Ensemble Conductor Score & Parts

By Sammy Cahn / By James Van Heusen / Arranged by John Berry

Grade: 3

Item: 35-PK00143099

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Description
Most notably recorded by Frank Sinatra, here is this familiar standard arranged effectively for younger bands. The style is an effortless-sounding medium swing, and this chart makes it enjoyable for listeners and players alike.

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00143099

More about this title

About the Composer: Sammy Cahn

Sammy Cahn was one of America's most prolific lyricists, crafting words for over 900 songs across his seven-decade career. His gift lay in matching perfectly singable, memorable lyrics to sophisticated harmonic progressions, a skill that made him indispensable to composers like James Van Heusen, with whom he won four Academy Awards. For music educators, Cahn's work represents the gold standard of American popular song: lyrics that sit naturally on the voice, melodies that stick with students long after rehearsal ends, and a catalog that bridges classical training with contemporary accessibility.

Beyond his film and Broadway successes, Cahn's influence on music education is profound. His songs have become essential repertoire for jazz programs, vocal students, and instrumental ensembles because they demand musicality without requiring virtuosity. Teaching a Cahn lyric or melody trains young musicians to understand phrasing, diction, and emotional intention, not just mechanics.

Why we love this

John Berry's arrangement captures what makes this standard timeless without overcomplicating it for younger players. The medium swing feel sits comfortably in the pocket, giving your ensemble room to develop phrasing and articulation without drowning in technical demands. Your students will recognize the tune immediately, which means they can focus on listening to each other and locking in the groove.

What to expect

An effortless groove that feels like a cool evening with excellent company. The melody carries warmth and nostalgia while the rhythm section swings with relaxed confidence, creating an atmosphere where both ensemble and audience can settle in and enjoy themselves.

Who it's for

Grade 3 jazz ensembles ready to explore the American songbook with accessibility and style. This arrangement works equally well for groups with limited improvisation experience or those looking to add a polished, recognizable standard to their concert.

How to get the most out of it

  • Keep the swing eighth notes consistent across the ensemble; slight rushing is far more common than dragging at this level, so have the rhythm section establish the feel first during separate sectional rehearsals.
  • Balance the melody line so it floats above the accompaniment rather than fighting against it. This is a song about elegance, not projection.
  • Shape the phrases musically even within the medium swing context. Cahn wrote lyrics for these melodies, so think about breath points and emotional arcs rather than simply hitting the written notes.
  • Pay attention to the soli sections if present. These moments often expose tuning issues and blend problems, so rehearse them in smaller groups before full ensemble run-throughs.

How to use it

Pair this with other mid-century standards or use it as a breather between more demanding pieces in a jazz concert. It also serves beautifully as a gateway into swing styles for ensembles coming from a classical background, building comfort with jazz phrasing and feel before tackling harder charts.

Skills your students will build

  • Swing eighth note interpretation and consistency across the ensemble
  • Phrase shaping and musical breathing within a jazz context
  • Blend and balance between melody and accompanying voices
  • Listening to and locking with a steady harmonic rhythm
  • Understanding how lyrical content informs instrumental interpretation

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