Come Fly With Me: Choral Instrumental Pak
By Sammy Cahn / By James Van Heusen / As performed by Frank Sinatra / Arranged by Mac Huff
Item: 35-PK00095527
$30.00
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Description
Arranged in a swinging big band style, this standard will let your group shine in performance! Duration: ca. 3:05.
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00095527
More about this title
About the Composer: Sammy Cahn
Sammy Cahn was one of the most prolific lyricists of the American songbook, crafting standards that defined the sound of mid-century popular music. His partnership with composer James Van Heusen produced some of Frank Sinatra's most beloved recordings, and their work together earned them Academy Awards and Grammy recognition.
In the classroom, Cahn's lyrics remain exceptionally singable. His facility with natural phrasing and conversational language makes his songs accessible to young singers while maintaining the sophistication that keeps them interesting for mature performers. Teachers often return to his catalog because the text sits so comfortably in the voice.
Why we love this
Mac Huff's arrangement captures the essence of 1950s big band swing without overwhelming a small ensemble. The combo voicing gives directors real flexibility, whether you're pulling from a jazz choir, a smaller mixed group, or a pop ensemble. What makes this stand out is that it delivers authentic stylistic character in under three minutes while remaining accessible for students still building jazz performance skills.
What to expect
Sophisticated nostalgia with genuine swing. The arrangement breathes with the ease of a late-night lounge, complete with the rhythmic snap and playfulness that made this song a Sinatra signature. There's an invitation in the melody to be both relaxed and rhythmically precise.
Who it's for
Small to medium ensembles looking for authentic jazz repertoire that doesn't demand instrumental virtuosity. This works equally well for mixed choirs with jazz experience, show choir units adding a standards-based number, or chamber singers exploring the American songbook.
How to get the most out of it
- Lock the rhythm section (piano, bass, drums) into a comfortable shuffle feel before layering the vocal lines. Precision in the rhythm foundation makes everything else swing.
- Shape the melody phrases with the conversational phrasing the Sinatra recording showcases. Avoid over-enunciating; let the swing rhythm carry the lyrical flow.
- Balance the instrumental accompaniment so it supports rather than overpowers the ensemble. In smaller venues especially, you may need to adjust the relative levels during rehearsal.
How to use it
Pair this with other jazz standards or Golden Age repertoire for a concert built around mid-century popular song. It also serves as a perfect encore or opening number when you want to establish an upscale, swinging tone without technical demands that overshadow musicality.
Skills your students will build
- Singing swing rhythms with proper articulation and phrasing
- Responding to a shuffle feel in a small ensemble context
- Interpreting standard jazz harmonies through focused listening
- Balancing blend while maintaining lyrical clarity in combo arrangement