Come, Emmanuel: Choral Instrumental Pak
Arranged by Michael Barrett
Item: 35-PK01218677
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Why we love this
Barrett's decision to layer two traditional texts and melodies creates genuine musical intrigue rather than relying on nostalgic familiarity alone. The arc from meditative opening through unison singing into harmonic refrain gives singers real dramatic work to do, and the instrumental palette (woodwinds, brass, percussion, and synth) lets you shape color without requiring a full orchestra.
What to expect
Quiet reverence that gradually opens into warmth and fullness. The interweaving of two familiar melodies creates moments of recognition and surprise in equal measure, while the instrumental colors add contemporary resonance to traditional material.
Who it's for
Choirs seeking fresh Advent or Christmas repertoire that respects the season's contemplative side while offering accessible part writing. Directors working with ensembles that enjoy instrumental collaboration and want holiday music with genuine compositional substance.
How to get the most out of it
- Shape the meditative introduction with restraint; let the instrumental textures establish the reflective mood before voices enter.
- Emphasize the tonal shift when unison voices transition to harmony, treating it as a genuine textural awakening rather than a smooth modulation.
- Balance the choir against the synth part in the refrain; the electronic timbre is a feature, not accompaniment that should disappear.
- Consider tempo flexibility in the introduction and a slight lift at the harmonic section to reinforce the emotional architecture.
How to use it
Program this early in your winter concert to establish a reflective tone before lighter or more celebratory selections. It also works well as part of a mixed devotional program that pairs Advent and Christmas texts, particularly in services or community events where instrumental accompaniment is available.
Skills your students will build
- Singing in unison and two or more parts within a single piece
- Responding to subtle dynamic and textural changes driven by orchestration
- Balancing vocal blend against varied instrumental timbres
- Maintaining steady tempo through meditative sections with sparse support