Come By The Hills (Buachaill On Eirne) Sheet Music Preview

Come By The Hills (Buachaill On Eirne): Choral Instrumental Pak

As performed by Celtic Thunder / Arranged by John Leavitt / Arranged by Phil Coulter

Item: 35-PK00132458

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Description
Performed by the male vocal ensemble Celtic Thunder, this lovely Irish folksong will create a moment of breathtaking beauty in concert. The song's English lyrics will evoke the legends and lore of the Emerald Isle. Perform with keyboard or the optional orchestration. Duration: ca. 3:50.

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00132458

More about this title

About the Artist: Celtic Thunder

Celtic Thunder is an Irish male vocal ensemble known for performing traditional and contemporary Celtic music with dramatic arrangements and production values. The group has built a devoted international following by bringing Irish cultural heritage to concert stages and recording projects, demonstrating how traditional songs can reach modern audiences without sacrificing authenticity.

Why we love this

John Leavitt and Phil Coulter's arrangement captures everything that makes Irish folksongs resonate in a concert setting: the melodic beauty is front and center, the harmonic language feels both accessible and rich, and the optional orchestration gives you flexibility depending on your resources. Chamber voicing keeps the focus on the singers while still creating that full, warm sound audiences expect from this repertoire.

What to expect

A gentle but compelling journey through Irish landscape and memory. The piece unfolds with lyrical simplicity that somehow feels grand, carrying listeners through legend and longing without ever losing its grounded, human quality. You finish the performance knowing you've given your audience something genuinely moving.

Who it's for

Chamber choirs and smaller men's ensembles looking for substantial concert repertoire with cultural depth. This arrangement works equally well for festival competition and special concert programming where Irish heritage or folk tradition matters to your audience.

How to get the most out of it

  • Honor the phrasing as if you're telling a story about the landscape rather than simply singing notes. The melody should breathe with the natural cadence of spoken Irish poetry.
  • Balance the ensemble sound so individual voices blend rather than stand out, even during moments that sit higher in the range. This creates the intimacy that makes the lyrics land.
  • If using the orchestration, establish the tempo and character with your accompanist before rehearsals begin. The optional parts should enhance, not drive, the vocal line.

How to use it

Pair this with other folk arrangements or world music selections to build a thematic concert around cultural tradition. It also serves as a standout moment in a more eclectic program where you want to shift the emotional temperature and remind audiences why folk music endures.

Skills your students will build

  • Singing with appropriate phrasing in folk music idiom
  • Balancing ensemble blend across different voice parts
  • Understanding how orchestral accompaniment supports rather than overshadows vocal line
  • Interpreting lyrics with cultural sensitivity and storytelling intention

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