Collected String Trios v. 2 Cover Image

Collected String Trios v. 2: Conductor Score

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Collected String Trios v. 2 Cover Image

Collected String Trios v. 2: Conductor Score

By Carol Neuen-Rabinowitz & Lynne Latham

Grade: 3.5

Item: 36-52702617

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Description
Appropriate for the concert stage or gigs, these ten trio arrangements will thrill players and audiences. From exciting Bach "Allegros" to intense Spanish waltzes and dances, this volume has something for everyone.  All parts are interesting and moderately difficult (grade 4 and above).  Due to ensemble and rhythmic challenges, rehearsal is recommended.  This book appears on the Ohio state contest list.

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Additional Details
Series: Latham Music - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-62876-404-X
ISBN13: 978-1-62876-404-8
UPC: 660355066030
SKU: 36-52702617
Instrumentation: Violin 1, Violin 2 /Viola and Cello

More about this title

Why we love this

This collection gives string trio directors genuine variety within a single rehearsal package. Rather than assembling trios from disparate sources, you get ten pieces that balance technical challenge with immediate musicality, and the fact that it appears on the Ohio state contest list signals both quality and appropriate difficulty calibration for competitive ensembles.

What to expect

The Bach pieces bring structural clarity and contrapuntal elegance, while the Spanish dances infuse the collection with rhythmic vitality and folk color. Moving between these styles across ten movements keeps both players and listeners engaged, offering the satisfying arc of a well-curated recital.

Who it's for

String trio directors and ensembles at grades 3.5 and above who want concert-ready material with genuine substance. This collection suits both school programs building toward contest season and coaches preparing chamber ensembles for recital performances.

How to get the most out of it

  • Start rehearsals with the Bach arrangements to establish ensemble precision; their baroque counterpoint rewards tight rhythmic alignment and will tighten your group's overall articulation.
  • Map out the Spanish dances and waltzes in rehearsal before adding tempo; the rhythmic challenges noted in the description respond well to slow practice with a click track at half speed.
  • Balance the three parts carefully in passages where all instruments carry equal melodic weight; these arrangements give every player substantial material, so avoid letting violin 1 dominate by default.
  • Use the conductor score to identify textural shifts early and mark them clearly; your players will benefit from knowing exactly where the arrangement moves from unison passages to polyphonic writing.

How to use it

Build a chamber recital entirely from this volume, using the Bach selections to open or close with authority and interspersing the Spanish material for contrast and momentum. Alternatively, draw individual pieces strategically throughout a season to develop specific skills or fill gap moments between larger ensemble works.

Skills your students will build

  • Managing rhythmic complexity in ensemble contexts (the rehearsal recommendation signals real rhythmic challenges)
  • Balanced voice leading in trios with constantly rotating melodic roles
  • Stylistic contrast between baroque polyphony and nineteenth-century dance idioms
  • Expressive phrasing and articulation across ten different musical landscapes

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