Collected String Quartets v. 1 Cover Image

Collected String Quartets v. 1: Conductor Score

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Collected String Quartets v. 1 Cover Image

Collected String Quartets v. 1: Conductor Score

By Carole Neuen-Rabinowitz

Grade: 3.5

Item: 36-52703202

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Description
Includes Canon (Pachelbel), Ode to Joy (Beethoven), Chamber Suite (Handel), Badinerie, Prelude & Fugue, and Sarabande (J.S. Bach), Concerto for 2 Violins & Concerto in D minor (Vivaldi), Concerto Grosso #10 (Corelli), arranged for string quartet by Carole Neuen Rabinowitz. Perfect for weddings/receptions.

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Additional Details
Series: Latham Music - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-62-156739-7
ISBN13: 978-1-62-156739-4
UPC: 660355057090
SKU: 36-52703202
Instrumentation: Violin 1, Violin 2, Viola, Cello

More about this title

Why we love this

Rabinowitz has selected repertoire that works beautifully in string quartet texture while remaining instantly recognizable to audiences. The collection spans Baroque masters and fits naturally into weddings, receptions, and community concerts without requiring a large ensemble.

What to expect

Elegant and accessible. These arrangements honor the originals' character while adapting them thoughtfully for four voices, creating intimate versions of grand works. The collection moves from the meditative beauty of Canon through dance rhythms and brilliant concerto passages, offering variety within a sophisticated musical language.

Who it's for

String quartets performing for formal events, community celebrations, or educational recitals seeking reliable arrangements of beloved classical works. Quartets at the 3.5 grade level can execute these pieces with musical maturity while remaining within technical reach.

How to get the most out of it

  • Balance the inner voices carefully in Pachelbel's Canon; the harmonic movement depends on hearing each line clearly rather than letting the violin parts dominate.
  • In the faster Bach movements, maintain rhythmic precision across all four instruments to preserve the dance character without rushing.
  • Use the conductor score to establish consistent ensemble sound and phrasing, especially in the slower movements where sustained lines need unified breath control.
  • Shape phrase endings in Vivaldi's concertos with slight dynamic tapering to give the familiar melodies breathing room.

How to use it

Open a wedding reception or formal event with lighter Bach selections, then build toward the more energetic Vivaldi concertos as the evening progresses. The collection works equally well in a single-ensemble concert, where the variety in style and tempo creates natural pacing without needing filler material.

Skills your students will build

  • Playing as a balanced ensemble in standard quartet voicing (two violins, viola, cello)
  • Managing sustained harmonic lines in slow movements while maintaining tonal blend
  • Executing rhythmic precision in Baroque dance forms and contrapuntal passages
  • Shaping melodic lines within arranged textures where familiar themes appear across different instrument pairs

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