Collected Songs, Vol. 1 (1906-1907) Cover Image

Collected Songs, Vol. 1 (1906-1907): Mixed Voice, High/ Low., Collections, VS

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Collected Songs, Vol. 1 (1906-1907) Cover Image

Collected Songs, Vol. 1 (1906-1907): Mixed Voice, High/ Low., Collections, VS

By Jerome Kern

Item: 36-M187591

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Description
The Collected Songs by Jerome Kern are published in 16 volumes and include the master song-smith's best known tunes from his different eras. Volume 1 (1906-1907) includes the following: 1. Don't You Want a Paper, Dearie? (Newspaper song); 2. Poker Love (Card duet); 3. Blue, Blue!; 4. Bill's a Liar; 5. I'm Well Known; 6. The Subway Express; 7. I've a Little Favor; 8. The Little Church Around the Corner; 9. Ballooning; 10. Katy Was a Business Girl; 11. Never Marry a Girl with Cold Feet!; 12. I'd Like to Meet Your Father; 13. Mary McGee; 14. I've a Million Reasons. Reprint edition.

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Additional Details
Series: Master Vocal Series - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-810333-6
ISBN13: 979-889-810-3330
UPC: 605258673473
SKU: 36-M187591
Instrumentation: Voice and Piano

More about this title

About the Composer: Jerome Kern

Jerome Kern (1885-1945) fundamentally reshaped American musical theater by elevating the song to an art form equal to dramatic storytelling. Working from the early 1900s through the 1940s, he composed nearly 1,000 songs across operettas, Broadway shows, and films, establishing harmonic sophistication and melodic elegance as hallmarks of the American song. His influence on generations of composers and songwriters remains unmatched in popular music history.

Kern's early theatrical work (1906-1907) shows a composer finding his voice, blending European operetta tradition with American vernacular humor and contemporary subjects. These songs reveal his gift for memorable melody paired with witty, character-driven lyrics by various collaborators. His ability to make intimate, singable music accessible to both trained and emerging singers made his work ideal for recital and educational settings.

Why we love this

This collection captures Kern at an formative moment, before he became the towering figure of the American songbook. Directors appreciate early Kern because the melodic writing is direct and gratifying to sing, the songs require genuine musical intelligence without overwhelming technical demands, and the material showcases distinctive character and storytelling that lifts recital programming beyond standard fare. The high and low versions make these accessible across voice types.

What to expect

These songs breathe with the energy and wit of early 20th-century musical theater, full of contemporary references and character sketches that feel both playful and sophisticated. The musical language is warmly tonal and melodically generous, offering singers the pleasure of lines that sit well in the voice while delivering genuine musical substance. There's an understated elegance here, a confidence that good melody and clever storytelling need no embellishment.

Who it's for

This collection serves mixed voice ensembles, solo singers preparing recital material, and voice students building interpretive skills with music that rewards both technical clarity and character awareness. Teachers seeking period-appropriate, historically significant American song literature for intermediate to advanced singers will find substantial material here.

How to get the most out of it

  • Shape the melodic line with clarity and directness. Kern's melodies earn their effect through pure singability, not through oversinging or dramatic exaggeration.
  • Pay close attention to the humor and character embedded in the lyrics and piano part. Let the text and accompaniment guide your interpretation rather than imposing a preset emotional tone.
  • Balance the vocal line with the piano accompaniment. Kern's early accompaniments are active and engaging; they deserve to be heard rather than buried.
  • Treat the high and low versions as equally valid interpretations. Neither is a compromise version; both are composed thoughtfully for their respective ranges.

How to use it

Program these songs in a themed recital exploring American musical theater origins, or mix individual selections throughout a season to showcase Kern's versatility alongside standard choral and solo repertoire. A song or two works well in a "Songs Then and Now" concert pairing early 20th-century theater music with contemporary settings.

Skills your students will build

  • Reading and interpreting American theater song idiom (1900s style)
  • Balancing lyrical clarity with musical line
  • Understanding character and text as primary interpretive guides
  • Singing across comfortable ranges via high and low transpositions
  • Recognizing early 20th-century harmonic language and melodic construction

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