Cole Porter Album for String Quartet, v.2 Cover Image

Cole Porter Album for String Quartet, v.2: Conductor Score

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Cole Porter Album for String Quartet, v.2 Cover Image

Cole Porter Album for String Quartet, v.2: Conductor Score

By Cole Porter, arr. Bert Ligon

Grade: 3.5

Item: 36-52703312

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Description
Collection includes: Night & Day; Begin the Beguine; I Get a Kick Out of You; You'd Be So Nice To Come Home To and I Concentrate on You.

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Additional Details
Series: Latham Music - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 1-62-156979-9
ISBN13: 978-1-62-156979-4
UPC: 660355076695
SKU: 36-52703312
Instrumentation: Violin 1, Violin 2, Viola, Cello

More about this title

About the Composer: Cole Porter

Cole Porter (1891-1964) was an American composer and lyricist who revolutionized musical theater by crafting sophisticated melodies paired with witty, urbane lyrics. His songs became standards of the American Songbook, performed by jazz singers, classical musicians, and popular artists alike. Porter's harmonic language, often chromatic and unexpected, sets his work apart from his Broadway contemporaries and makes his melodies enduringly rich for arrangement and reinterpretation.

Why we love this

Bert Ligon's arrangements honor Porter's melodic sophistication while making these iconic songs genuinely playable for intermediate string quartets. The five selections represent Porter's range, from the sultry sophistication of "Night & Day" to the lilting Caribbean flavor of "Begin the Beguine," giving quartets a chance to explore different musical moods and styles in a single collection. This score lets you program recognizable American songbook standards that audiences love without sacrificing musical substance.

What to expect

These arrangements capture the elegance and wit of Porter's original compositions, transporting listeners to jazz lounges, cabaret stages, and ballrooms through melodic warmth and harmonic sophistication. The string quartet texture brings an intimate, almost chamber-music quality to songs designed for Broadway stages, making them feel both timeless and freshly discovered.

Who it's for

String quartet conductors and coach-directors working with intermediate ensembles who want to program accessible yet sophisticated repertoire. This collection also suits private quartet coachings where students benefit from learning Porter's melodic architecture and harmonic language through arrangement.

How to get the most out of it

  • Balance the melodic lines carefully between first and second violin, particularly in pieces where Porter's harmony shifts between instruments. Consistent communication during rehearsal prevents either part from disappearing.
  • Treat the rubato and phrasing as you would in a ballroom or jazz context. These melodies breathe and bend; rigid adherence to the printed rhythm flattens the character Porter intended.
  • Attend to the harmonic color in the viola and cello parts. Porter's chromatic movement often lives in inner voices, and clarity there elevates the entire arrangement.
  • Use the conductor score to shape phrase endings and tempo adjustments across the ensemble. Porter's songs often move between verse-like passages and more rhythmically defined sections, requiring unified direction.

How to use it

Program this collection as a complete suite in a concert of American music, or select individual songs to pair with classical or contemporary works. The familiar melodies make these arrangements particularly effective for pops concerts, chamber music showcases, or educational performances where you want to bridge classical and popular idioms.

Skills your students will build

  • Interpreting chromatic harmony and voice leading across four string parts
  • Balancing melodic lines with accompaniment figures
  • Applying rubato and phrasing conventions from jazz and popular music to notated scores
  • Reading and performing from a conductor score while managing individual string parts

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