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Coconut Champagne: Jazz Ensemble Conductor Score & Parts

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Coconut Champagne: Jazz Ensemble Conductor Score & Parts

By Denis DiBlasio / arr. Victor López

Grade: 3 (Medium)

Item: 00-36045

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Description
With an upbeat samba groove, everybody gets some action, and the classic Maynard Ferguson trumpet solo is harmonized for the trumpet section---in a playable range. There is a sax soli that can also be a solo for any sax. An optional percussion part will complete this package. This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Coconut Champagne: Jazz Ensemble Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Jazz Band Series
Publisher: Alfred Music
Page Count: 102
UPC: 038081408965
SKU: 00-36045

More about this title

About the Composer: Denis DiBlasio

Denis DiBlasio is a composer and arranger whose work spans jazz, Latin, and contemporary ensemble music. His arrangements and compositions are known for their accessibility without sacrificing harmonic sophistication, making them valuable additions to jazz ensemble libraries at multiple levels.

Why we love this

Victor López's arrangement captures the infectious energy of the original while redistributing the famous Maynard Ferguson trumpet solo across the entire trumpet section in a comfortable range. Every section gets meaningful musical material, and the optional percussion part gives you flexibility depending on your ensemble's strengths.

What to expect

Bright and propulsive, with the relaxed swing of a samba rhythm under crisp ensemble writing. The upbeat character and familiar source material make it immediately rewarding for players, while the harmonic content keeps listeners engaged throughout.

Who it's for

Jazz ensemble directors working with Grade 3 groups who want an energetic, accessible Latin jazz number that keeps all sections engaged. This works equally well for groups where soloists are still developing confidence, since the harmonized approach shares the spotlight and reduces pressure on any single player.

How to get the most out of it

  • Establish the samba groove firmly in rehearsal before layering harmonic complexity; the rhythm section and percussion need to lock the pocket before soloists enter.
  • If you're using the sax soli passage, decide early whether you'll feature a single player or keep it as a section part; either choice changes the solo's character and requires different preparation.
  • Balance the harmonized trumpet solo so the lead voice carries clearly without the inner parts getting lost; this often requires careful dynamic shaping rather than simply matching volumes.
  • The optional percussion part enhances the Latin feel significantly; even a basic setup (shakers, cowbell, clave) makes a noticeable difference in groove definition.

How to use it

Program this as an opening or closer on a jazz or pops concert; its energy and accessibility make it a crowd-pleaser that audiences recognize and enjoy. It pairs well alongside other Latin jazz selections and provides a stylistic anchor when you're mixing straight-ahead swing with dance-oriented grooves.

Skills your students will build

  • Samba rhythm and Latin jazz groove interpretation
  • Ensemble balance in harmonized solo passages
  • Improvisation on a Latin jazz form (for sax soloists)
  • Section cohesion when multiple players share melodic material
  • Reading and responding to clave-based percussion textures

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