Close As Pages In A Book (from Up In Central Park): E-Z Play Today

This standard from Sigmund Romberg's operetta sits perfectly in that sweet spot where Broadway warmth meets jazz sensibility. The melody is instantly singable yet harmonically rich enough to reward careful voicing, making it equally effective for a soloist or in an ensemble setting.

Intimate and wistful, this duet captures the tender sincerity that made operetta resonate with audiences. The title itself invites closeness, and the melody unfolds with the kind of unhurried affection that belongs in a quiet moment between two characters.

This works beautifully for intermediate pianists exploring the Broadway songbook, or for singers preparing a classic standard with piano accompaniment. Directors building a program around Romberg's catalogue or early 20th century musical theatre will find this a reliable, elegant choice.

• Shape the phrases around the lyrical content rather than bar lines; this operetta number wants legato breathing that mirrors the text rhythm.
• The harmonic movement suggests chromatic voice leading in the left hand, so practice those transitions separately to maintain smoothness.
• Lean into the nostalgic quality of the tune without dragging; Romberg's operettas live in a graceful tempo that never feels stiff.

Pair this with other Romberg standards for a concert exploring American operetta, or feature it as a contrast number in a broader Broadway medley program. Its two-page length makes it ideal for a recital opening that sets a refined, conversational tone.

• Lyrical phrasing in operetta style
• Chromatic voice leading in keyboard accompaniment
• Singing sustained lines with proper breath support
• Interpreting early Broadway harmonic language